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“I’m a storyteller, not a writer…”

Author Jeffrey Archer was at his witty best at the launch of the third book in his Clifton Chronicles series. Instead of five books, the series will have seven!
by Vrushali Lad | vrushali@themetrognome.in

That Jeffrey Archer is a gifted writer is a given. But that Jeffrey Archer is also a gifted public speaker is a fact one has to be present for to believe. At the launch of the third book – Best Kept Secret – in his Clifton Chronicles series at Andheri’s Landmark book store, Archer was in fine form, taking questions, deftly deflecting uncomfortable ones, deriding the audience when he felt they weren’t paying attention, and explaining what he felt was the crux of the film Lagaan.

In between, he also spoke about the book publishing industry, his Clifton Chronicles series, and in the end, signed copies of his newest book for a really long line of admirers.

Speaking on the importance of brevity, even while keeping the simplicity and beauty of a story intact, Archer said, “It is possible to write a very very short story in 100 words. And if you try it, you can write one in 100 words exactly – not 101, not 99, but 100 words. Write such a story before you write your novel,” he advised, after taking the audience through a 100-word short story he wrote years ago as part of a challenge that the Reader’s Digest had set him years ago. (See video below).

 

Talking about his newest book, and the Clifton Chronicles in general, Archer said, “The series was supposed to be three books. The first was Only Time Will Tell, the second was The Sins Of The Father, and the third is Best Kept Secret. In the first book, Harry Clifton (the story’s protagonist) was just 19 years old, and by the end of Book 3, he is just 35. To end the series here, I would have to bump him off at 35 years of age, so I decided there would be another book. I am now working on the first draft of Book 4, and by the end of it, Harry will only be 40 years old.

So I decided that there could be a fifth book. But, and this is hot from the Press, it’s probably going to be seven books. I got that one wrong, didn’t I?”

Speaking on the future of the book publishing industry, Archer said, “The e-book revolution is still to hit India. I own a Kindle, but I do feel that there’s quite like having a book to hold. But soon, there may be a time when people will buy e-books and not hard or soft covers. My book Kane And Abel was sold as an e-book for 20p only. The third Clifton Chronicles book will be sold for £8.25, while the hardcover costs £20. Naturally, people are going to go for the cheaper option. Do you understand what is being done? They’re only interested in selling their tablets – they got us to buy the tablet so we would buy e-books! And yet, though Kane And Abel sold for just 20p, as the author I still get £3 royalty per sale, so that’s an interesting dimension. But it’s a worrying development.”

Archer also fielded questions from the audience, and several of his replies evoked loud laughs:

Which of your books would you like to see filmed?

They’re currently filming Paths of Glory, (a story which claims that an Englishman was the first to scale Mount Everest). But since it’s Columbia Pictures and Hollywood, it’s called Everest. (makes face)

If there was ever a film made on your life, who do you think should play you?

(considers) I hear Brad Pitt is already vying for the role. But I would rather have Tom Cruise play me. Let them fight it out.

If you had to play a character from your books on screen, which one would it be?

Harry (from the Clifton Chronicles series).

In Book 3, you’ve based a relationship on incest, which we find really strange in India. What were your thoughts when you were writing about this?

The whole point of a story is that you must read further to know what happens. I knew where I was going with Harry, Emma and Giles. And there’s a bigger problem coming up in Book 4.

Do you think you missed out on a different life because you became a writer? What if politics had worked for you, would you still be in politics?

You know, Proust said, “We all end up doing the thing we are second best at.” Everything went wrong in my life when I was 34. I lost a lot of money and I owed a lot of money. That was when I wrote my first book Not A Penny More, Not A Penny Less. And now you have 16 novels from me, because of one mistake I made so many years ago! But if politics had worked for me, yes I would still be in it.

When are we going to read a Jeffrey Archer cricket story, or have a cricket protagonist in your book?

I wouldn’t be writing a cricket book. Yes, I love cricket with all my heart. But my audience primarily comes from America, and they don’t a clue about cricket! They’re quite stupid, aren’t they? So no, no cricket books from me. But I did watch and enjoy Lagaan, though the dancing was terrible. But watching that film as a storyteller, I thought that the beauty of the story was that there wouldn’t have been a Lagaan if the umpires had cheated.

What do you think about 20:20 cricket?

As far as I’m concerned, 20:20 is rubbish. A test match is VVS Laxman and Rahul Dravid playing the entire day. 20:20 cricket can go to hell.

Did you take formal training to be a writer?

No, I never did. I am well-educated, and my wife is certainly more educated than me. I’ve lived with her for 40 years, so I’ve learnt a lot from her. But I’m a storyteller, not a writer.

How do you know if what you’ve written is good?

You don’t. If you’ll take my advice, you won’t show your writing to these people: your husband, your wife and your lover. They will all lie. If you want to know if your writing’s good, show it to someone who has never met you. You’ll get the truth then.

You need the hear the truth in this business, at every stage of your career. Recently, I was in Dubai for a book launch, and two beautiful children came up to me, a boy and a girl. The boy asked me, ‘Are you an English writer?’ I said, ‘Yes’. He asked me, ‘Are you Enid Blyton?’ I said, ‘No’. He asked, ‘Are you Roald Dahl?’ I said, ‘No.’ Then he asked, ‘Then why are you here?’

Have you ever read Indian authors? Who’s your favourite?

I have read Indian authors, yes, and I am going to say this quite carefully. I think you have an author who is far superior to the sacred cows of Indian writing – RK Narayan is the real thing, he’s wonderful. I prefer him to your sacred cows, and I think you know who I am referring to.

They tell me more Indians are writing books than anybody else in the world. But remember, and these are scary numbers: For every 1,000 books sent to publishers, only one is published. For every 10,000 books published, only one makes it to the bestsellers’ lists. And for every 1,000 books on the bestsellers’ lists, only one makes it to #1. The odds are against you, but that must not stop you from going ahead and writing. There are always surprises. (Watch Archer taking questions in the video below)

 

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Event

Medha Patkar arrested from Golibar Maidan

Activist arrested from Khar site where slum dwellers are being evicted all day. Protesters allege that cops have thrashed them.
by National Alliance of People’s Movements

In a series of illegal actions against the urban poor in Mumbai, the city Police today came down heavily on Medha Patkar and a group of people resisitng the illegal evictions at Golibar, Khar (East). Other active local residents including Prerna Gaikwad, Ajit and 20 men and women have also been arrested this afternoon. Those protesting have been beaten up very badly by the police and goons on behalf of Shivalik Builders, in the presence of MHADA engineers and officials. The latest information is that at least 10 houses have been demolished at Golibar.

A posse of police vehicles and JCB machines are still at the place and the demolition drive is still on.

The bulldozers at Golibar, a 50-year-old slum, are once again out to demolish and evict the slum dwellers who have been fighting corruption and a land grab by Shivalik Ventures, in which the 2G Spectrum scam-ridden Unitech has a stake. In the past, the slum dwellers have repeatedly opposed and exposed the illegal acts of the private developers who are all out to grab the land. It was only after the expose that the Chief Minister of Maharashtra scrapped the two 3K projects.

Even now, as usual, no notice has been served on the people before the demolitions. The Bombay High Court had directed that the residents must be relocated to a good transit camp that is in a completely livable condition, and also directed that individual agreements with the residents must be registered. However, without following this directive of the High Court, the demolitions are continuing in a totally illegal maner. It is also significant to note that as recently as on January 18, the CEO of the Slum Rehabilitation Authority (SRA), Nirmal Deshmukh, ordered a halt to the demolitions, but the same has started once again, with MHADA’s intervention.”

Update: The NAPM has demanded the immediate release of all detainees, and immediate action on the police personnel involved in the demolition drive. Another demand is for action against Shivalik Builders for several alleged illegalities and encroachments on the land by the firm.

(Picture courtesy thehindu.com. Image is a file pic)

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Event

Boman brings the house down for street children

Noted actor entertained a packed Shanmukhananda Auditorium recently, then tweeted to garner support for the cause. All this, for free.

On Saturday, March 2, Shelter Don Bosco, an institution that looks after street children in the city, celebrated their silver jubilee, and Bollywood actor Boman Irani made it an affair to remember for the packed-to-capacity audience at Shanmukhananda Auditorium.

He brought the house down with his antics and music, and in the end had each of the audience members on their feet, applauding him as he sang ‘We Are The World’, mimicking all the voices in the legendary song, right from Lionel Richie to Willie Nelson, and from Tina Turner to Michael Jackson. Singer Manasi Scott accompanied him on the song.

What’s more, the event’s organisers claim that the actor was up early the next morning, tweeting to urge his Twitter followers to help out the Institute. And by the end of the day, he had a sizeable assurance of help pouring in. The actor reportedly did not charge a fee for making the appearance, and has been associated with the organisation’s events for the last 10 years.

The evening began with Manasi Scott and Chrisann Misquitta on the grand piano with their rendition of ‘Fever’ and an improvised ‘Imagine’. Then came the Monsorate Brothers with ‘Effie’ and they simply had the audience rooted to their seats with hit numbers from 1920 till the 80s, before ending with RD Burman classics. Manasi and her band performed to ‘Skyfall’, ‘Titanium’ and ‘Iktara’. She brought the curtains down on her performance with ‘Mama Mia!’

The entire event was conceptualised and executed by Light Infotainment. Speaking on the occasion, Martin D’Souza of Light Infotainment said, “We wanted to give something to everyone who watched the show. We knew the audience would range from eight to 80 years.”

(Picture courtesy indya.com)

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Do

Online photo contest: ‘Ordinary women, extraordinary work’

US Consulate brings an online photo competition on the occasion of Women’s Day. You can submit entries till March 31.

In honour of International Women’s Day and Women’s History Month in March, the US Consulate General Mumbai is hosting its third annual online photo contest on the theme ‘Ordinary Women, Extraordinary Work.’

The contest will run from March 1 to March 31, 2013 and is open to Indian nationals residing in Maharashtra, Gujarat, Madhya Pradesh, Chhattisgarh, and Goa. The photographs you submit must belong to you and must not be sourced from anywhere. If you win, your entry will be posted on the Consulate’s website and social media sites. “This is our third year of the contest celebrating women and their valuable place in Indian society. This time we are highlighting ordinary women who overcome the odds to do incredible and inspirational work,” Cultural Affairs Officer Angela L Gemza said.

Photos should be emailed to MumbaiPublicAffairs@state.gov. Additionally, this year the Consulate has introduced a Twitpic category in which contestants can post their pictures on Twitter to @USAndMumbai using the hashtag #OWEWphoto.

All photos will be judged by noted digital artist Rahul Gajjar, press photographer Mukesh Parpiani and a panel of American officers from the US Consulate General, Mumbai. For complete contest rules visit: http://tinyurl.com/OWEWphoto

The prizes include a two-night stay in Goa, plus gift vouchers and other goodies like gym memberships and fitness DVDs.

(Picture courtesy telegraph.co.uk)

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Film

Scripting right with the stalwarts

Nihit Bhave attended a screenwriters’ conference held in Mumbai, which had the biggies in Indian cinema share their writing secrets.

If you’re a writer, you know the ‘blank document’ syndrome, otherwise known as the blinking-cursor-is-judging-you syndrome. It is the awkward pause between opening a document and writing its first word (I would have said ‘pregnant’ pause, but a writer never feels more impotent than at that stage, so I shall refrain from adding salt to the wound). It was certainly a big relief to know that this impairment hasn’t spared the best of the best.

“As a writer, my biggest challenge is a blank document,” said Juhi Chaturvedi, who wrote the film Vicky Donor.

Thankfully, the recently concluded event, ‘The 3rd Indian Screenwriters Conference – Untold Stories: Screenwriting And Truths Of Our Times’ was able to throw up many remedial suggestions for such syndromes, and also went on to shed light on some of the most pressing issues today’s young writers are facing.

Unfortunately, due to my own ignorance and complacency, I missed the first day and apparently a brilliant key-note speech. But going by Day 2 and Day 3, I can safely say that Act I must have been totally worth it.

Day 2 was primarily about the upcoming talent and the hurdles they face taking their stories from paper to producer, and from producer to the parda of cinema. The first session of the day, ‘The charge of the new ‘write’ brigage’ included panelists like Juhi Chaturvedi (Vicky Donor), Sanjay K Patil (National Award winning Marathi film Jogwa), Reema Kagti (Talaash, ZNMD, Honeymoon Travels, etc), Habib Faisal (Ishaqzaade, Band Baaja Baaraat, Do Dooni Char) and Akshat Verma (Delhi Belly) and was moderated by Pubali Chaudhari (Rock On!!, Kai Po Che). The insights from this session were unparalleled. From a coy Habib Faisal to an outspoken Akshat Verma, and from a commercially successful Reema Kagti to a relatively underrated Sanjay Patil, the writers put forth their points about creativity, content, contemporary challenges and personal hurdles for writers.

“I’ve never set out to write earth-shattering cinema. In fact, I’ve never done anything original. I’ve done clichés with my own twists and gotten away with it!”, Habib Faisal  (in pic on left) said.

Speaking about the very unusual storyline for Honeymoon Travels, the film’s writer and director Reema Kagti said, “When I was writing Honeymoon Travels…it was the story of a pitch-perfect couple who then turns out to be a superhero couple, but since no Indian producer would let me make a feature film on it, I added six other short stories and juxtaposed this one with those!”

Other memorable quotes during this session came from Sanjay Patil, who spoke of his Marathi film Jogwa thus: My film Jogwa was lying with me for 12 years because throughout the film, both the heroine and the hero were in sarees.” Juhi added, “Nothing scares producers like a writer who can’t categorise his own work. I did not know whether Vicky Donor was a rom-com or a social message film, so I said ‘drama’ and that threw people off.”

The second session, and the most entertaining one at that, was ‘Is the old order cracking?’, where moderator Govind Nihalani (Ardha Satya, Dev, Thakshak) quizzed panelists Urmi Juvekar (Oye Lucky…, Shanghai), Sanjay Patil, Bejoy Nambiar (David, Shaitaan), Rakeysh Mehra (Rang De Basanti, Delhi 6) and Abbas Tyrewala (Jaane Tu…Ya Jaane Na, Maqbool, Main Hoon Na) about the age-old three-act structure of screenwriting, linear and non-linear narratives and challenges writers face with them.

Abbas Tyrewala (in pic on right) was a revelation in this session. His explanation of a ‘structure’ for writing films was incredibly clear. “Imagine this. A smoker feels the need to smoke because he ‘imagines’ that his mind and body are lacking something. After a cigarette, a sort of ‘high’ replenishes this missing element and the person reaches the same level of normalcy (that a non-smoker is always at!) Similarly, when a viewer walks into a theatre, they’re at a level of normalcy. Your story has to create a trough and a consecutive crest – a conflict and a resolution – but with the effect of a (cinematic) high that will ensure that the viewer exits the theatre at the same normalcy level, but with an enhanced experience.”

It was interesting to see the linear v/s non-linear narrative debate between these young writers and Javed Akhtar, who nonchalantly took them on from his seat in the audience.

After two more sessions on TV content and the (hypothetical) revolution that’s in store for us on the small screen, the evening was concluded by a ceremony awarding special FWA honors to Gulzar and Salim-Javed. The awards were presented by Hema Malini.

Day 3 forced writers to face their fears and talk about what they hated the most – numbers, contracts, statistics, constitutional acts, royalties, infringements, arbitrations, etc. So after a brief morning session, ‘The empty playroom: why such few children’s films?’, led by Gulzar and Nila Madhab Panda (I Am Kalam) amongst others, we proceeded to the dark side and shed light on the things that also matter.

This day also proved fruitful, as the people at Film Writers’ Association managed to string together lawyers, Producers’ Guild representatives and writers on the same stage to discuss minimum basic contracts for writers, copyright issues and the implication of the amendments to the Copyright Act 1957.

FWA also celebrated the work of the father of Indian TV, late Manohar Shyam Joshi, who created mega TV serials Hum Log and Buniyaad.

Just to be in the same room as Gulzar and Javed Akhtar, Rakeysh Mehra, Zoya Akhtar and Reema Kagti and listening to them talk about screenwriting, made attending the event worth it. There was surely a lot to learn and understand. Because unlike what we’d like to believe, screenwriting is much more complicated than putting pen to paper, words to a story and a climax to a beginning.

Nihit Bhave is a film journalist based in Mumbai. 

(Pictures courtesy piquenewsmagazine.com, firstpost.com, c2ctara.com))

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Event

Elephanta Festival kicks off over the weekend

The theme for the noted musical fest combines Hindustani classical music with western fusion, and invites amateur painters as well.

This unique music and art festival was shifted from its excellent location two years ago, but it is back where it truly belongs. The Elephanta Festival 2013 kicks off at the Elephanta Caves on Saturday, March 2 and ends the next day. As always, stalwarts in music comprise the lineup of performers at the fest this time around, too.

Organised by the Maharashtra Tourism Development Corporation (MTDC), the fest will be officially announced by State Tourism Minister Chhagan Bhujbal tomorrow. This year’s edition of the Elephanta Festival will witness performances in both Hindustani classical and Western fusion music.

Dr Jagdish Patil, Managing Director, MTDC, says, “While the festival will include some of the best performers from across the globe, the theme will retain its objective to promote Indian culture and expose it to the world and the nation. The participation by international artists in Indian art forms will position the festival as a leader in promoting Indian heritage not only in the State, but across the nation and in the international circuit, putting the Elephanta Festival on the international tourism map.”

The fest also invites professional as well as amateur painters irrespective of age and experience to attend the event. Organised in association with the JJ School of Art, the theme of the painting competition is to paint the Elephanta caves and statues at the location on both days from 10 am to 2 pm. “The art materials would have to be carried by the participants, and they have to register at the venue and submit the entry at the location itself,” says Dr Patil. The top three prizes comprise cash amounts of Rs 50,000, Rs 25,000 and Rs 10,000 respectively.

For history and heritage enthusiasts, there are  guided tours of the Elephanta caves under the guidance of Dr GB Deglurkar, President, Deccan College, who will share his knowledge on the detailing of the sculptures and caves of Elephanta Island. Also, noted artist Chandrajit Yadav will replicate the cave sculptures in mud during the Festival.

Line up of artistes slated to perform:

March 2, 2013, Day 1:

7:00 pm – 7:30 pm: Shweta Pandit (opening ceremony with Saraswati Vandana)

7:30 pm – 8:15 pm: Sannidhi, confluence of seven Indian Classical Dance Performances by Parvathy Dutta

8:45 pm – 10:00 pm: Vishnamo, Shujaat Khan (Sitar and vocals); V Selvaganesh (Kanjira); Ganesh and Kumaresh (Violin); George Brooks (Saxophone)

March 3, 2013, Day 2:

7:00 pm – 7:45pm: Prabhakar Karekar, Hindustani classical vocals

8:00 pm – 8:45 pm: Manjari Chaturvedi, Sufi Kathak; Awadh Gharana musicians

9:00 pm – 10 pm: Ranjit Barot (Drums); Punya Srinivas (Veena); Elie Afif (Upright and electric bass); Harmeet Manseta (Keyboards); Aditya Benia (Guitar)

(Picture courtesy meriyatrra.com. Image is a file picture)

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