Categories
Places

Chandore lights up Konkan’s hoary past

Season one of excavation at Chandore, which is in Konkan, revealed some intriguing artefacts, ceramics and sculptural elements early this month.
by Shubha Khandekar

As the second (annual) season of archaeological excavations at Chandore, near Mangaon in the Raigad district of coastal Maharashtra draws to a close, this tiny, idyllic village has increasingly begun to look like a key hub where international trade flourished under the Shilahara kings about a 1,000 years ago, and continued up to the Maratha period in the early 19th century, through the pre-Shivaji Bahamani regime and the rule of the once pan-India Peshwas, before they suffered a decisive defeat at the hands of the British in 1818.

Facets of the history of the Shilahara dynasty that ruled the entire seacoast from Sopara in the North to Savantwadi in the South, through the 11th to the 14th century, are unfolding slowly but surely with the excavation, undertaken jointly by the Centre for Extra Mural Studies (CEMS), University of Mumbai and the India Study Centre (INSTUCEN), under Dr Kurush F Dalal, the Field Director, who teaches Archaeology at the CEMS.

This makes Chandore a crucial site, demanding extensive and long term historical, ethnographic and archaeological investigation to ascertain the antiquity, the cultural sequence and nature of the settlement at Chandore and its environs, that would shed light on hitherto unknown aspects of the history of the region for the past 1000 years and more.

This was acknowledged, endorsed and emphasised by the presence of all the bigwigs present on site on a Sunday drenched in welcome rain early June: Dr Rajan Velukar, Vice Chancellor, Dr Naresh Chandra, Pro-Vice Chancellor, and Mugdha Karnik, Director, Centre for Extra Mural Studies, Mumbai University, Dr A P Jamkhedkar, former Director, Department of Archaeology and Museums, Government of Maharashtra, Dhananjay Karnik, Drs Samuel Nazareth and Suraj Pandit, all Directors, India Study Centre (INSTUCEN), Dr Kurush F Dalal, Field Director of excavations at Chandore and Suresh Bhosale, President, Mahad Manufacturers’ Association, which came forward to finance the initial phases of this year’s excavation. In addition, Pallavee Gokhale from Pune, NR Swamy from Bangalore (Genesys International) and Vaidyanathan from Mumbai joined hands to do a GIS based study of the vast expanse over which the ruins are strewn.

While Dr Velukar committed the University’s support to the excavation, Dr Jamkhedkar interacted with the villagers of Chandore at a public meeting and explained to them the historical importance of the site, the need for conservation of the remains of the past, if possible through the establishment of a small local museum and the prevention of their pilferage, and the critical role that the villagers must play in the process.

Where is it?
Chandore is located on a ridge running north-south along the Arabian Sea coast, about 30 km to its west, a location that had carved out a unique role for the village in the political, economic and religious life of the Konkan region.

Chandore excavationThe first season of excavation revealed a rock-cut stepped reservoir, with images of Hara-Gauri (a form of Shiva and Parvati), embedded in a niche in one of its walls. Stylistically the image has been dated to the Shilahara period by Drs Arvind Jamkhedkar and Suraj A Pandit. This reservoir was adjacent to a Shiva temple, whose only extant remains consist of a sunken sanctum and a Nandi placed in the temple’s courtyard, a hopelessly crumbling image of the divine bull that one is afraid to touch for fear that it will completely disintegrate.

Excavations at the site have so far revealed plans of at least three temples, built as per the local traditions during the Bahamani period, which preceded Shivaji by about two centuries.

This kingdom had later split into five, including the Adilshahi out of which Shivaji carved out his swaraj.

Other finds from the excavation consist of a silver gadhiya coin from the 11th century, glass beads and bangles, and monochrome glazed ware potsherds typical of the 14th century.

Historically important
Chandore was incredibly active between the 8th century and 1818 when the Marathas lost the final battle against the British (Third Anglo-Maratha War). The local towns of Mangaon and Goregaon have historically been very important places on the internal highway and have both been feeders to the port of Mhasala, especially during the Maratha, Bahamani and Adilshahi phases. Both the traditional routes passed Chandore and it is only now that the route from Goregaon has bypassed Chandore, the Mangaon-Mhasala route still goes past Chandore.

The Chandore-Mhasala stretch is also a part of the Mangaon-Goregaon-Mhasala-Borli-Diveagar-Shrivardhan route. Thus Chandore lies on a critical route between the hinterland and the ports of Mhasala and Diveagar.

The surroundings of Chandore too are replete with hero stones, locally called veergals (see pic on right) , and sati stones, which together Chandore veergalsnarrate a story of valour and sacrifice, and reveal aspects of ancestor worship and the custom of Sati. Indravan, Nivachivadi, Govele, Kakal, Nalephodi, Mhasala, Borli Panchatan, Diveagar and Deokhol in the proximity of Chandore constitute a sprawling complex with thriving international trade and vibrant religious activity on a large scale.

There is, however, no inscription in this entire repertoire to give us any definitive names or dates for any of these locations, with the exception of Diveagar.

The earliest occupation of Chandore, surprisingly, seems be of the Stone Age when small, microlithic tools were made in a pre-metal era. This could push the antiquity of the site back by several millennia, and Stone Age experts who have visited the site have recommended a detailed study of the raw materials used for the tools, the structural and functional aspects of the tools and the geological context of the habitation.

The bulk of the original research published on the Shilahara dynasty consists of a volume of the inscriptions of the Shilaharas by VV Mirashi (Corpus Inscriptionum Indicarum, Vol IV brought out by the ASI in 1977). Scholars have subsequently found sporadic copper plate and stone inscriptions of the Shilahara dynasty in the Thane, Raigad, Ratnagiri and Sindhudurg districts of Maharashtra as well as the coastal area of Goa and Karnataka, and have attempted a reconstruction of the history of the region.

A particular location at Chandore is referred to as ‘kalavantiniche gharate’– the dwelling of the nautch girl(s) – in local tradition, which comprised an essential service at a trade route hub, for merchants and traders on long journeys away from home. This yet again confirms the status of Chandore as a thriving semi-urban centre.

Also, an annual religious festival is part of a tradition from the hoary past and draws in large numbers of people surrounding areas. This calls for ethnographic enquiry and its integration with historical evidence in a holistic approach to unfold the secrets buried and forgotten since yore.

This seasons excavations have just drawn to a close and the excavation team is busy cataloguing and analysing the artefacts, ceramics and sculptural elements revealed in the course of this season’s work.

(Pictures courtesy Dr Suraj Pandit, Pallavee Gokhale and Rhea Mitra-Dalal)

Categories
Hum log

She cartoons around with history

Former journalist, now writer and archaeology student Shubha Khandekar talks about creating archaeological cartoons and studying history with a sense of humour.
by The Editors | editor@themetrognome.in

Let’s face it – we Indians are a ‘sensitive’ lot. Increasingly, everything hurts our feelings; unintended slights, a jokey reference to our history and culture, even a stray illustration about something Indian. But Shubha Khandekar loves taking a fond, humorous look at our history through cartoons – the former journalist and now writer and PR professional has been a dedicated archaeology student for the longest time, and wonders why we “can’t stick out our tongue at Kautilya, pull Anathapindika’s leg, make fun of the globe-trotting Aryans and the seafaring Harappans?”

In an interview, the 50-something Kalyan resident tells The Metrognome about being one of the few Indians drawing archaeological cartoons, how our apathy and callousness towards our archaeological wealth, why she wants a device that can see underground, and what those wishing to study archaeology should do.

When did you first develop an interest in archaeology?

I postgraduated in Ancient Indian History at Delhi University, after which archaeology was merely the next logical step forward. I did a one year PG diploma in archaeology from the School of Archaeology, Archaeological Survey of India, New Delhi, after which I went to the Deccan College Postgraduate and Research Institute in Pune for a Ph.D.

You’ve been a journalist for a major portion of your working life. How did you choose journalism when your natural inclination is towards archaeology?

I trained and worked as a journalist for over 25 years in Nagpur and Mumbai. Due to some domestic problems, I had to abandon my Ph.D. and take a short break from my studies. The break grew longer and longer and the opportunity to resume almost never came back until in 2012,  after a gap of 30 years – I came across Mugdha Karnik, director, Centre for Extra Mural Studies (CEMS), Mumbai University and Dr Kurush F Dalal, who teaches archaeology there.

And I simply got sucked into it, to join the one-year certificate course in archaeology with them!

Meanwhile, I’d taken up journalism for a living, and I am not too sorry about it as journalism gives one an exposure, vision and perspective that no other profession does. And come to think of it, journalism is reporting on the present and history/archaeology is reporting on the past: small difference!

How did you start making archaeology-related cartoons?

One tends to trivialise the art of cartooning till a cartoonist is thrown into jail! While at the Free Press Journal I had seen Pradeep Mhapsekar at work and had realised the enormous intellectual effort that goes into creating a single cartoon. I was fascinated by it and tried some amateur cartooning. In a contest for women cartoonists declared by the Marathi daily Loksatta I won a consolation prize.

Later, being in a PR company, I made some PR-related cartoons. What really triggered the archaeology-inspired cartoons was the robust, overabundant sense of humour with which Dr Kurush Dalal spiced up his lectures for us. Laughter began to burst through the cracks in academics and ArchaeoGiri (the Facebook page that Shubha uploads her archaeo-cartoons on) was born!

Are there many people who draw cartoons like you do?

No. At the international level, there are cartoons galore on Greek and Egyptian histories. Well-known characters – Noah, Moses, Cleopatra, Archimedes – all have meekly surrendered to the swish of the cartoonist’s pen. There is a whole Asterix series cocking a snook at the mighty Romans. Cartoons on the Stone Age and cave men too are plentiful, but none reflect the features that are specific to the Stone Age in India.

Why can’t we stick a tongue out at Kautilya, pull Anathapindika’s leg, make fun of the globe-trotting Aryans and the seafaring Harappans? Perhaps because we don’t know these people well enough, we need to. Familiarity will breed banter. Perhaps because we take ourselves and our past too seriously although nobody else does. Our ‘feelings’ get hurt at the drop of a hat. Through ArchaeoGiri I have tried to pull historical figures out of boring textbooks and seat them at a modern Indian’s chai-nashta table for a hearty gupshup session.

What are some of the excavation trips you have been a part of?

I’ve been to Sringaverpur in UP and Inamgaon in Maharashtra. Shringaverpur was identified as a ‘Ramayana’ site and excavation was undertaken there under BB Lal. Inamgaon is a pre-iron age site near Pune where extensive work was done by Deccan College for about a decade.

If one wants to study the subject, what are the research tools available as of today?

It is essentially a postgraduate course, being offered at several universities. For lay enthusiasts in Mumbai, I would strongly recommend the certificate courses being run by the CEMS.

What is your comment on the current state of archaeology studies and research? 

At a personal level, those who are teaching me archaeology today would have been my students, had I continued my studies, but I have no regrets there. With their knowledge and scholarship, I feel honoured to be in their company as their student.

At another level, however, no country could be richer than ours in terms of archaeological wealth, and no people could be more callous and apathetic towards it. So enormous is this wealth that it can become a perennial source of infotainment, jobs and revenues, but we treat it with the utmost contempt. The state of explorations, excavation, publication, conservation leaves much to be desired. There is a strong case for public archaeology, but that can’t happen without political will and financial support. Despite the excellent work being done at CEMS, it has still not been possible to set up a full-fledged archaeology department there.

What’s on your archeo-wish list?

I would like a James Prinsep for the Harappan script. An Alexander Cunningham for every bit of architecture-sculpture lying orphaned in the wilderness.

A small museum at every district headquarter. A job for every archaeologist. A tool that can date stone artefacts. And equipment that can see underground.

(Shubha’s picture courtesy Pradeep Mhapsekar. Cartoons courtesy Shubha Khandekar)

Categories
Event

Archeology Day and a long-term demand

The CEMS celebrated Archeology Day and is now pushing for an Archeology Department at the University of Mumbai. A report.
by Shubha Khandekar

Lay enthusiasts, school and college students, curious onlookers and history and archaeology scholars alike, numbering close to 3,000, thronged throughout the day at the Archaeology Day celebrations organised by the Centre for Extra Mural Studies (CEMS) yesterday at the CEMS premises in Vidyanagari, Kalina, to coincide with the birth anniversary of the late Professor HD Sankalia, whose name is synonymous with Archaeology.

The celebrations were inaugurated by Dr DB Deglurkar, President of Deccan College, a premier institution for Archaeology in India, and Rajan Welukar, Vice Chancellor, University of Mumbai, who spent close to two hours examining all the exhibits.

Making a strong recommendation for the University of Mumbai for setting up a full-fledged Archaeology department in its fold, Dr Deglurkar pointed out that being one of the three oldest universities of Mumbai, it was appropriate that academic study of the past, a huge part of which is accessible only through Archaeology, must have pride of place in the University.  “CEMS has taken a commendable step by being the first institution in India to commemorate Prof Sankalia’s birth anniversary in such a memorable and constructive manner,” said Dr Deglurkar.

“The range of activities shown at the Archaeology Day celebrations and the energy of enthusiastic volunteers promises to carry forward the work that Prof Sankalia had begun more than 50 years ago. I wish every success to this venture by CEMS and assure you of every support and help from Deccan College,” he added.

Promising every effort in setting up an archaeology department at the University, Welukar said, “The progress made in Archaeological studies by the use of scientific methods is quite amazing.”

“We are trying to create awareness and interest for Archaeology among every section of society, and particularly among students,” said Mugdha Karnik, Director, CEMS. “This will now be an annual feature at CEMS and we appeal to all like minded individuals and institutions to join hands with us in this effort.”

Visitors to the Archaeology Day celebrations were particularly excited with the opportunity given to dig, under the supervision of expert archaeologists,  in a mock trench created at the venue. Other activities that drew large crowds were live demos of pottery making and stone tool making, exhibition of fossils, a KBC-style quiz for school-kids, the writing of names in Modi, Kharoshthi  and Brahmi by students of epigraphy, and a film on Chandore where CEMS has been conducting excavations for the past two years under the directorship of Dr Kurush F Dalal. Cartoons on archaeological themes were also put on display.

“There is so much that’s new and exciting,” said Anjali Inamdar, a visitor. “Such events must be held more frequently and in multiple locations.”

“I enjoyed it very much and learnt a lot. Fantastic effort, congrats to everyone who was involved,” said Rajashree Khalap, another visitor.

INSTUCEN and Sathaye College were collaborators on the event, while the Anjaneri Institute of Numismatics from Nashik, Archaeological Survey of India and the Thane Oriental Research Institute also put up stalls and exhibits.

Shubha Khandekar is an author, journalist, translator, editor and cartoonist and writes on a wide range of topics in English and Marathi. 

 

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