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Beauty

Your cosmetics could be harming you

How often do you check your cosmetics’ expiry dates? If you haven’t checked, you are putting your skin at risk.
by Deepa Mistry

One out of 10 women take notice of dates and use makeup products accordingly, while the rest are putting their skin at risk by using old cosmetics for several years, even though they begin to smell or get discoloured. Most women forget that cosmetics cannot be used forever. If you don’t keep track of when you purchased and started using certain types of makeup and skin care products, you could develop breakouts or have an allergic reaction.

Expired makeup and skin care products need to be thrown out after a certain period of time. Remember, the expiry date of a product begins the moment you open it but some products have a printed from-and-till dates because not all products have organic contents. Natural and organic products containing fewer or no preservatives have a shorter shelf life and therefore produce higher levels of bacteria.

Many ingredients in makeup can go bad and some can get contaminated by bacteria and other organisms that enter your pores or touch your skin. This can cause a host of skin and health problems. It’s always a good idea to keep a tab on your makeup products and see if anything has been unopened for a long time or has a peculiar and unfamiliar smell. Products such as mascara, lipstick, foundation, face creams, and blush acquire a funny smell past their expiry date. In most cases, areas around the eyes are affected first because they have the most sensitive skin.

caution expired cosmeticsSome of the effects of using out-of-date makeup and skin care products that have expired include the following:

– Skin infections

– Patches of acne

– Frequent breakouts and blemishes

– Excessively dry skin

– Skin discoloration

– Rashes

– Allergic skin reaction

– Eye infections

1. If you are facing any of the above problems, then it’s time for some cleansing. An important tip when it comes to your beauty hygiene routine is to wash your makeup brushes regularly and thoroughly, or you will continue to contaminate your skin and other products that require brushes.

2. Avoid sharing brushes and lip products with others. Usually at weddings, parties or even a ladies washroom, women share lipsticks and lip balms with unknown women. Avoid doing this. The other person might be suffering from skin problems, so don’t invite skin troubles.

3. So many times, we come across branded cosmetics that are sold on the streets and trains, but don’t get lured into buying them. There is a huge variety of cosmetic brands available in the market – don’t fall for the names you have never bought or heard of only because they are cheaper! Cosmetics and skin care products are such that need to be carefully bought and from genuine sellers only. We advise you to invest in cosmetic that’s branded and well reputed, bought only from a genuine store like in malls or stand-alone cosmetic stores.

Branded cosmetics are very expensive but the damage caused by cheaper quality or expired ones can damage your skin for life. If you can’t decide what brands or where to buy makeup from, consult a makeup or skin expert and only buy cosmetics as per skin type. Remember that not all cosmetics suit every skin.

Facial skin is the most sensitive in our body, pamper it but with love and special care!

(Pictures courtesy perfectmakeups.com, www.carbonated.tv)

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Watch

Chitresh Dash performs in Mumbai tonight

Known for the ‘fastest feet’ in Kathak in the world, the dance exponent will perform at NCPA with Vikku Vinayakram.
by The Editors | editor@themetrognome.in

If you’re in the mood for some divine dancing tonight, make your way to National Centre for Performing Arts (NCPA) tonight.

World renowned Kathak exponent Chitresh Das will perform at the NCPA tonight, with musician – Vikku Vinayakram. The show, titled ‘Dynamic Feet, Dynamic Rhythm’ is bound to create artistic history with two doyens from two ends of the world representing two corners of India (North Indian dance and South Indian percussion) as the two come together on stage for the first time. Das has very recently arrived in Mumbai – he works and teaches Kathak in the USA – and a documentary film made on him and Emmy Award-winning tap dancer Jason Samuels Smith was recently aired on PBS National Television in the USA on January 20. 

The show is bound to be an extraordinary one, what with Das dancing to the reverberating beat of Grammy Award winner Vikku Vinayakram’s ghatam. Three generations of percussionists – Vikku Vinayakram on ghatam, son N Ramakrishnan on mridangam and grandson Swaminathan on the kanjeera will play as Das’s performs his legendary take on the Draupadi vastra haran. Add to this the terrific Hindustani quartet, Biplab Bhattacharya and Satyaprakash Misra on tabla, Jayanta Banerjee on sitar and Debasish Sarcar on vocals, and the audience is sure to have a fabulous evening.

A representative for Das also revealed that while he is in India, there is also “a scientific study about to begin on him, to measure the parameters in his body that make him cross boundaries of age and race to achieve unparalleled speed and power in his dance technique.” Das is 70 years old and holds the distinction of having the ‘fastest feet’ in Kathak in the world.

Head to NCPA, Nariman Point at 7 pm. Tickets are priced at Rs 1,000, Rs 700, Rs 500 and Rs 300.
(Picture courtesy www.iup.edu)
Categories
Learn

Newbie at work? Read this

Daunted about being the newbie at work? Follow these simple tips and become one with the office in no time.
by The Editors | editor@themetrognome.in

Shweta Jagdale’s first job was as an intern in a newspaper office in Mumbai. “I was still in college, and I was very intimidated by all the senior journalists who did such important work for the newspaper. I was the only intern in the department, and apart from assigning me work, nobody would speak to me at all,” she remembers.

Then she decided to reach out. “I realised that I was new there, and they didn’t need to speak with me, I needed to speak with them. So I started by offering to share my lunch with the girl who sat nearest to me – once the ice was broken and she started taking an interest in me, slowly the others also followed suit.”

Shweta was immensely touched when, on the last day of her internship, the entire department gave her a farewell party. “It was unheard of to have a party for an intern, but they all grew very fond of me. I had broken the ice with them without sucking up or trying to appear more intelligent than I was – I worked hard, asked for work in my free time, ran errands for them in office. Today, I am still in touch with most of them,” she says.

Not everyone knows how to forge healthy working relationships at work, however. Says Sandhya Warick, HR professional with a management consultancy firm in Mumbai, “Most new employees are shy and awkward. While this is understandable, they must have enough self-confidence to introduce themselves to their colleagues and try and forge a working relationship.”

These are a few tips for a newbie at the workplace:

Be presentable. Dress smartly, keeping in tone with the overall dress code of the office. There is no need to be dowdy or plain, but wait before you bring out the miniskirts or cut-off jeans. “The first impression is the most crucial one. Your clothes, hair, shoes, bag must all be presentable,” says Sandhya. “The first few days of the job are spent in meeting with department heads and senior colleagues, so you must be well groomed at all times.”

new person at workWait to be assigned a work station. Most offices scramble to get a work station ready after the new joinee has already entered the building. However, if a work station is being readied for you, politely ask the department in-charge for a temporary place to sit. Do not express annoyance if a permanent seating arrangement is not worked out for days. You are the new person there, so throwing your weight about, even if justified, will be seen in a poor light.

Keep your desk clean. We are allowed to be messy at home, but it is just bad manners to be messy at work. A new joinee’s workstation is expected to be tidy at all times. You will have to give it a fair bit of time before you ‘claim’ your space with photographs and cheerful posters and unwashed coffee mugs. Especially since most of us share a desk with colleagues, we should be very careful to see that our stuff does not inconvenience others. Be sure to clear your desk before you leave.

Don’t keep your eyes on the clock all the time. The entire office will surreptitiously watch to see what time you start packing up to go home. “It is an unwritten rule that the newest person waits for a few minutes after the last person to head home, at least for the first few days. Once the office becomes familiar with you, you can start leaving with the rest of them,” Sandhya advises. However, it is a good idea to finish the day’s work before leaving. Just because others in the office can afford to put off work, it doesn’t mean you can.

Understand your work from the right people. Your key responsibilities, the chain of command you have to follow, who you must report to and who should report to you – you will have to understand these as soon as possible. This will ensure that you follow the office’s rules and don’t inadvertently step on any toes. Also, any mistakes you make will reflect poorly on you, though your seniors might be a bit lenient in the beginning.

Don’t gabble. In a bid to be friendly and gloss over their nervousness, some new joinees talk endlessly with their colleagues and try to get themselves included in conversations. This is a strict no-no. You should ideally listen more in the first few days of work and never venture an opinion unless asked to do so.

Make friends without being pushy. Nobody can survive for long if forced to work alone, but take your time before you attach yourself to the nearest group. Be friendly and willing to chat with colleagues, but don’t hint that you would like them to invite you for lunch or shopping dates. “At the magazine where I worked, all the girls already had their own groups, so it was tough for me to be included,” says Monica Kakkar, stylist. “For the first month, I ate alone in the canteen.”

Wait to be invited. Don’t come across as desperate for companionship, and don’t invite yourself into a group. “Always wait to be invited, and when the invitation comes, accept graciously and without surprise,” says Sandhya.

Don’t join in the gossip. So your colleagues are gossiping about the boss, and you want to join in – but don’t. It is very tacky for a new person to join in or contribute to gossip. newbie at workBe sure to make friends in the office and hang out with people you can trust before you start gossiping.

Be sincere but not a doormat. It is a normal tendency for senior colleagues to dump a lot of work on the new joinee, because they know that he or she is too new and inexperienced to protest. Do the work maybe once or twice, but if you see a pattern emerging, politely refuse to take on work that is either not your responsibility or something that can be done later or not at all. This will set a boundary in the early days of your work with the company. Never take on work just to please your colleagues or to create a good impression with the boss.

 (Pictures courtesy careerrocketeer.com, www.managingamericans.com, www.telegraph.co.uk)

Categories
Tech

Review: Eddy, children’s education tablet

The Android-based tablet allows parents to monitor their children’s usage and will later tie up with schools in major cities.
by Manik Kakra

Startup Metis Learning recently launched Eddy, an Android 4.2.2 tablet that is aimed at children aged two to 10 years. The device has a 7-inch 1280 x 600 screen, and has a 1.6 GHz dual-core Rockchip processor, 1 GB of RAM, and 8 GB of internal storage, which is expandable up to 32 GB via a microSD card.

The OS on the Eddy has been programmed to give Kid’s Mode, Parents’ Mode, which also has the usual Android launcher and other related stuff. You can put a password so that the child cannot access the Parents’ Mode. Using the Parents’ Mode, you can keep a close check on what and how long the installed apps have been used, or restrict the usage of a particular app to a time limit, preview reports of previously used apps, etc. The Kids’ Mode has a custom UI with large blocks for course content, learning games, and references.

Connectivity-wise, there is Bluetooth, WiFi, 3.5mm headset jack, 3G via an external dongle, mini HDMI port, and microUSB port. The tablet comes pre-loaded with about 150 apps and games, which can, along with Settings, can only be managed through the Parents’ Mode (using the Android OS).

Sporting a 2 MP camera, and powered by 3,200 mAh battery, the tablet comes bundled with bright green and pink coloured protective cases, which seem handy for protection against drops and sharp objects. Available for Rs 9,999 on the company’s website and Amazon India, it will later be available from various other online portals as well as retailers. Metis Learning has already tied up with several schools like DPS, Sansktriti for offering Eddy to students and are planning to do so with many schools in major cities.

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Watch

Screening: Ekti Nadir Naam

The Root Reel is screening a film on the life and work of Ritwik Ghatak at Alliance Française Auditorium today.

In continuation with their feature presentation of some of the treasured cinema from our country, The Root Reel is organising a screening of Anup Singh’s essay, exploring the life and work of Ritwik Ghatak. The film is titled Ekti Nadir Naam/Name of a River.

Anup Singh’s debut feature, The Name of a River, is an ambitious, evocative docu-fictional essay exploring the life and work of the great Indian filmmaker, Ritwik Ghatak (1925-1976). Ghatak’s reputation as India’s most important filmmaker has been steadily growing since the first major retrospective of his films was organised internationally in the 1980s. Satyajit Ray described him as “one of the few truly original talents in the cinema this country has produced”. Although largely ignored in his lifetime and usually overshadowed by the illustrious Ray, Ghatak was a legend to a whole generation of Indian arthouse directors and was seen by many as the father of the Indian New Wave.

Born in 1925 in what is today known as Bangladesh, he was 18 in 1943 when the Great Bengal famine drove him and his family from Dhaka to Calcutta as refugees. India’s simultaneous independence and partition into India and Pakistan in 1947, and a further partition later into India, Pakistan and Bangladesh, made it impossible for him to return to his homeland. The Partition of India and Ghatak’s separation from his homeland act as the driving force in his life and work.

In The Name of a River Anup Singh uses a love story between a man and a woman crossing the river between Bangladesh and India – playing the roles of refugees, divine beings and literary and cinematic characters – to understand the mysteries of the events that led to the massacre of half a million people and forced ten million people to migrate across the newly established borders. Covering a huge area of visual, aural and intellectual ground within its 90 minutes, this exquisite film presents its audience with a dreamlike odyssey through a history, a life and a work that we, the viewers, encounter in the shape of stunning landscapes and music, lovers and gods, myths and memories, literature and cinema.

The Name of a River has been screened at numerous international film festivals, winning the Aravindan Award, India, for best debut filmmaker in 2001, and the Silver Dhow Award for best feature at the Zanzibar International Film Festival in 2002.

Head to Alliance Française Auditorium, Theosophy Hall, near Nirmala Niketan, New Marine Lines, at 6.30 pm. Entry is free.

(Compiled by Medha Kulkarni. Picture courtesy worldcinemafoundation.org)

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Do

Have a story to perform? Head to Prithvi

Caferati at Prithvi Theatre, a forum for writers, gives participants a two-minute chance to perform their written work this evening.

A lot of stand-up-and-perform acts for writers and storytellers are mushrooming all over Mumbai. Joining the bandwagon is Caferati, a performing event to be held at Prithvi Theatre tomorrow, January 28.

Caferati is a forum for writers in English. Most of their membership is Indian or has an India connection, because that’s where the group originated. However membership is open to adults anywhere in the world. Some of the members are published or earn a living from writing in some way, but that is not a condition for membership.

If this sounds like your cup of tea, head to Prithvi Theatre today for an exciting event. The event is essentially this: You + your writing + two minutes at the microphone.

However, there are some rules to follow. While the works can be in English, Marathi, Hindi or Urdu, the writing must be yours and you can perform for a maximum of two minutes only. No group performances are allowed. Participants are allowed to shot, declaim, sing; they can sit, stand or lie down; they can dance, do a cartwheel, play a musical instrument – anything goes, as long as you perform your words.

There is no restriction on genres – you can perform poetry, prose, scripts, songs, etc. but nudity, explicit language, slander or anything that flouts Indian laws is prohibited.

Sounds like your thing? Head to Prithvi Theatre today, at least half an hour before 7 pm to make yourself eligible to enter. Submit your script for approval and perform. Good luck!

(Compiled by Medha Kulkarni. Picture courtesy Prithvi Theatre)

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