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Bombay, bas

What I miss about the Bombay I grew up in

A Mumbaikar gets nostalgic about the Bombay she grew up in, and the Mumbai that her home city has become.
Shifa Maitraby Shifa Maitra | @ShifaMaitra on Twitter

Bombay sure has changed.

Okay, a lot of how much and why I miss the Bombay I grew up in has to do with my being younger and idealistic. So when I recount what I miss, I am not putting in things that still exist but are not in my frame of reference. Things like double decker buses and Samovar restaurant (though it’s not the same without Mrs Rajbans Khanna at the counter in her gorgeous cottons) are two things that rank in that list. But what I definitely miss and would willingly re-embrace include:

Feeling safe. At any time of the day or night and anywhere. Taking an auto or a cab at 2 am, even alone, was par for the course, but not any longer. Bad things actually happen with unfailing regularity in aamchi Mumbai and that’s really not on.

Long drives. Madh island for a drive, Haji Ali for juice, Lonavla just for fun…these were places we actually visited when the whim caught us. But with the current state of roads, the traffic and the cost of fuel being what it is, just commuting to work is bad enough.

Less paranoia. There were times when you could chat with random strangers at a night club, on the train, or in the elevator and ruffle a cute kid’s hair without being looked at with suspicion.

Clean beaches. Madh island didn’t stink the way it does now, and it was actually possible to have a great time there.

Cheap hangouts. Not only were these places easy on the pocked, they were great spots for a chat, a dash of romance or just to hang at. Café Seaside (in it’s earlier avatar), Open House on Hill Road and Linking Road, Sea View at Juhu beach, were some of these places.

Cosmopolitan buildings. The cosmopolitan building culture is almost vanishing. There are very few buildings left where residents actually celebrate all festivals and Promenades in Mumbaiare welcoming and not just tolerant of others.

Local darzis. Oh, the joy of hunting for fabric and then designing it yourself without spending a bomb! And most importantly, not having people in college or office wearing exactly what you are wearing. Those hours spent at Anwarallys near Elco Market and Jam Design in Matunga…they were so much fun.

Circulating libraries. Actually, I miss the time when people actually read. Whether it was magazines, Archie’s comics or M&Bs, everybody read. And then they talked about the latest Jeffery Archer or Robin Cook, not just tweeted about it.

Children playing. In our time, there were actually games like butterflies, hop scotch, and seven tiles. The play station was down in the building and you had to solve your own fights and not go home crying to mummy.

Oh, for the time when having a good time wasn’t about how much you spent. Watching a movie at Gaiety-Galaxy was cool, having cutting at the tapri or vada pav outside Mithibai College was legit and good fun.

But that’s not to say that there’s nothing likeable about the new, improved (?) Mumbai. There is lots to love, still, such as:

It is still safer compared to other cities.

Mumbai has the wonderful Sea Link.

It has amazing coffee shops.

There is free home delivery of practically everything you need.

Cabs and autos here still run on meter.

The local trains are rightly called the lifeline of the city.

The street food is gorgeous.

There is no need to ‘dress up’ to impress people.

Prithvi Theatre cafeMumbaikars are chilled out, even blase, around celebrities.

We have Candies, Prithvi Theatre cafe, the Kala Ghoda Festival, Literature Fest, the MAMI Film Festival.

There are promenades.

We have occasional candle light marches. They don’t serve much purpose, but they rally the city around for a common cause.

Did Shifa miss any unique Mumbai places or experiences? Tell us about them in the comments section below.

‘Bombay, bas’ is a weekly column on getting around Mumbai and exploring the city with a fresh perspective – and with a hint of nostalgia. 

(Pictures courtesy mumbaioutdoors.com, www.boston.com, www.prithvitheatre.org)

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Have a story to perform? Head to Prithvi

Caferati at Prithvi Theatre, a forum for writers, gives participants a two-minute chance to perform their written work this evening.

A lot of stand-up-and-perform acts for writers and storytellers are mushrooming all over Mumbai. Joining the bandwagon is Caferati, a performing event to be held at Prithvi Theatre tomorrow, January 28.

Caferati is a forum for writers in English. Most of their membership is Indian or has an India connection, because that’s where the group originated. However membership is open to adults anywhere in the world. Some of the members are published or earn a living from writing in some way, but that is not a condition for membership.

If this sounds like your cup of tea, head to Prithvi Theatre today for an exciting event. The event is essentially this: You + your writing + two minutes at the microphone.

However, there are some rules to follow. While the works can be in English, Marathi, Hindi or Urdu, the writing must be yours and you can perform for a maximum of two minutes only. No group performances are allowed. Participants are allowed to shot, declaim, sing; they can sit, stand or lie down; they can dance, do a cartwheel, play a musical instrument – anything goes, as long as you perform your words.

There is no restriction on genres – you can perform poetry, prose, scripts, songs, etc. but nudity, explicit language, slander or anything that flouts Indian laws is prohibited.

Sounds like your thing? Head to Prithvi Theatre today, at least half an hour before 7 pm to make yourself eligible to enter. Submit your script for approval and perform. Good luck!

(Compiled by Medha Kulkarni. Picture courtesy Prithvi Theatre)

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Kerala’s historic art form comes to Mumbai

Chavittu Naatakam, India’s most ancient coastal art form from Kerala, forms the theme of the annual Keli Festival starting today.
by The Editors | editor@themetrognome.in

Human life is incomplete without cultural identity. When people migrate to distant shores, they take with them aspects of their culture, which then mix with the local cultures to create unique cultural expressions. Chavittu Natakam, India’s most ancient maritime theatre tradition is one such cultural expression that came out of such a mixing of cultures – drawing from the European operatic tradition carried by the Portuguese Christian missionaries who came to Kerala’s shores post the 15th century, and merging with the local Kerala martial arts and dramatic traditions.

ramachandran kStarting today, the Keli Festival, a three-day festival to be held at the YB Chavan Auditorium, Nariman Point and Prithvi Theatre, celebrates Chavittu Natakam. Performances over the three days will retell the history of Emperor Charlemagne’s capture of Turkey, and the events that unfolded thereafter. The Metrognome spoke to Keli Festival director Ramachandran K (in pic on left) about the festival; he has been the Festival’s Director since its inception in 1992.

Why did Keli think of bringing Chavittu Naatakam to Mumbai?

I was the special curator for the cultural programmes of India’s premier biennale that happened in Cochi last year. During my work I came across this art form and associated with it. I realised that the historic relevance of this art form in the art history of the world is not yet unveiled. It was not much presented outside Kerala, except for one performance that happened in the 60s in Delhi. It was in these circumstances that our organisation KELI decided to do this year’s annual festival with Chavittu Naatakam as the main theme and to propagate the strength of this art form to the maximum possible extent.

What is the response you anticipate to the Keli Festival this year?

Fairly good. We have had lots of enquiries already.

Can you elaborate a bit on Chavittu Naatakam’s importance in present-day life?

It is the only existing, most ancient maritime theatre tradition in India. It is quite remarkable that it passed the test of time for over five centuries.

Chavittu Naatakam has a significant place in the art history of the world. [It is] A pattern of culture that migrated from across the sea; a theatre form that was nurtured and Anjelikka അഞ്ചേലിക്കdeveloped by the coastal people, a tradition of drama written, directed and enacted by the same coastal people, and a theatre movement with performance spaces, created at the coastal villages out of meagre donations from villagers. It is an artistic emanation which draws its audiences from the same coastal people – Chavittu Natakam is truly the most authentic ancient maritime theatre tradition in every sense of the term.

Unfortunately, no serious research or academic studies have been done on this fascinating art form so far, nor have academies and state patrons extended significant attention towards preserving and propagating this tradition. The form lives on due to enthusiastic artists, passionate audience, and the support and dedication of a very few art lovers.

What has been the most satisfying part of being associated with an initiative of this sort?

Bringing the Indigenous artistic strength of India’s rural locales to the metros, with their purity of tradition.

Why do you think that Mumbai needs to be exposed to Chavittu Naatakam?

Mumbai should acknowledge the proud legacy of the only maritime theatre tradition in India. I also feel that artistic traditions should be explored more and should be presented without being compromised on quality.

Programme schedule:

Day 1

Venue: YB Chavan Centre, opposite Mantralaya, Nariman Point.

Date: Thursday, January 9, 2014 | Time: 6.45 pm

Inaugural Programme: Story: Karalman Charitham (Charelsmagne) Part 1

Written by : Chinnathambi Annavi

Presented by: Yuvajana Chavittunataka Kalasamithi Gothuruth

Directed by: Thampi Payyappilly

Day 2

Venue: Y.B. Chavan auditorium,Opp. Mantralaya

Date: Friday, January 10, 2014 | Time : 7.30 pm

Story: Karalman Charitham (Charelsmagne) Part 2

Day 3

Venue: Prithvi Theatre, Juhu, Vile Parle.

Date: January 11, 2014 | Time: 7 pm and 9 pm

Story: Karalman Charitham (Charelsmagne) Part 3 ( Subtext)

Name of Subtext: Story of Anjelikka

Written by : Raphel Acharuparambil

Presented by: St. Rocky’s  Nrutha Kalabhavan, Pallippuram

Directed by: Alex Thalooppaadath, disciple of late Guru Antony Charamkulam

Collect free entry passes from YB Chavan Centre, Rhythm House, Prithvi Theatre, Maharashtra Watch Company, Dadar and Giri stores Matunga.

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Music and love for the soul

Catch this lovely 2009 French film this evening, on love, music, fidelity and work-life balance at the Prithvi Theatre, Juhu.
by Medha Kulkarni

While the incessant rain makes most normal activities quite difficult, they also magnify the pleasure in others. Watching good cinema is one of them and if you agree, then head to Prithvi Theatre on Wednesday evening to catch the screening of French film Mademoiselle Chambon.

Mademoiselle ChambonThe film is being sceened at the theatre in partnership with Insitut Francais. Mademoiselle Chambon is a 2009 romance-drama film directed by Stephane Briz. The 101-minute long film revolves around the life of Jean, his loving wife and son who live a simple, happy life. Things begin to change when his son’s homeroom teacher Madamoiselle Chambon requests Jean to volunteer as substitute teacher and gradually starts to fall for her delicate and elegant charm. His ordinary life between family and work starts to falter.

The film is carefully constructed and depicts this moving tale of unexpected romance with elegance and subtlety. Stéphane Brizé’s directorial style is marked with patience and delicacy, sensitive to the rhythms of this special relationship full of misconstrued signals and ambiguous feelings. It’s a soft, elegant film and is a perfect way to spend a rainy evening.

Watch the film’s trailer here:

Like all screenings at Prithvi Theatre, entry is free but seating is limited. And since Prithvi Theatre is extremely strict about timings, please make sure you reach at least five minutes before the screening as you might be denied entry if you are late. The screening starts at 7 pm.

 

(Pictures courtesy cachecine.blogspot.com, filmsdefrance.com)

 

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France says ‘Hello!’

Bonjour India, currently underway, will travel to 16 Indian cities all this month to strengthen ties between the two countries.
by Medha Kulkarni

Have you always loved French culture, and wanted to experience it firsthand? Well, lucky you. As part of the efforts to strengthen diplomatic ties between the France and India, Bonjour India,the Festival of France, is here and will travel to 16 different cities this year.

1985 saw the first Year of India in France, and it was replete with elephants ambling across the Trocadero in Paris to the Eiffel Tower. This year’s Indo-French cultural relationships celebrations comprise of a wide variety of wonderful cultural events. The beauty of this programme is that it has been designed such that it encompasses the entire realm of person-to-person exchange between India and France, whether in art, literature, cinema, fashion, performing arts or sports.

The first edition of Bonjour India was in 2009-2010, and it was so successful that it encouraged the Institut Français en Inde and the French Embassy in India, in association with the Alliance Française India network and the Indian Council for Cultural Relations (ICCR) to engineer this one, the second edition which started in January and will go on till April 2013.

Here’s a quick round up of what’s on offer in Mumbai:

March 12-18, Photography, Lost Highway – Part of the FOCUS festival, an exhibition of photographs by Chantal Stoman, at Studio X

March 18, Cinema, An Evening With Short Films, at Prithvi Theatre

March 20, Gastronomy, The Floating Buffet, at Novotel

March 26, Music, Amarallis Ensemble – Pain and Pleasure at the Court of Versailles, at the Experimental Theatre, NCPA.

Look for more details and schedules for other cities here.

(Picture courtesy bonjour-india.in. In the picture is the Amarallis Ensemble)

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