ritvik ghatak – The Metrognome

The Root Reel is screening a film on the life and work of Ritwik Ghatak at Alliance Française Auditorium today.

In continuation with their feature presentation of some of the treasured cinema from our country, The Root Reel is organising a screening of Anup Singh’s essay, exploring the life and work of Ritwik Ghatak. The film is titled Ekti Nadir Naam/Name of a River.

Anup Singh’s debut feature, The Name of a River, is an ambitious, evocative docu-fictional essay exploring the life and work of the great Indian filmmaker, Ritwik Ghatak (1925-1976). Ghatak’s reputation as India’s most important filmmaker has been steadily growing since the first major retrospective of his films was organised internationally in the 1980s. Satyajit Ray described him as “one of the few truly original talents in the cinema this country has produced”. Although largely ignored in his lifetime and usually overshadowed by the illustrious Ray, Ghatak was a legend to a whole generation of Indian arthouse directors and was seen by many as the father of the Indian New Wave.

Born in 1925 in what is today known as Bangladesh, he was 18 in 1943 when the Great Bengal famine drove him and his family from Dhaka to Calcutta as refugees. India’s simultaneous independence and partition into India and Pakistan in 1947, and a further partition later into India, Pakistan and Bangladesh, made it impossible for him to return to his homeland. The Partition of India and Ghatak’s separation from his homeland act as the driving force in his life and work.

In The Name of a River Anup Singh uses a love story between a man and a woman crossing the river between Bangladesh and India – playing the roles of refugees, divine beings and literary and cinematic characters – to understand the mysteries of the events that led to the massacre of half a million people and forced ten million people to migrate across the newly established borders. Covering a huge area of visual, aural and intellectual ground within its 90 minutes, this exquisite film presents its audience with a dreamlike odyssey through a history, a life and a work that we, the viewers, encounter in the shape of stunning landscapes and music, lovers and gods, myths and memories, literature and cinema.

The Name of a River has been screened at numerous international film festivals, winning the Aravindan Award, India, for best debut filmmaker in 2001, and the Silver Dhow Award for best feature at the Zanzibar International Film Festival in 2002.

Head to Alliance Française Auditorium, Theosophy Hall, near Nirmala Niketan, New Marine Lines, at 6.30 pm. Entry is free.

(Compiled by Medha Kulkarni. Picture courtesy worldcinemafoundation.org)

Hundred years in three days

Rare Indian films will be screened in their original format at Films Division, Mumbai, starting today to Sunday, June 30. Be there if you love Indian cinema.

by Medha Kulkarni

Who doesn’t love our movies, right?

And some of our films have been the highest of successes riding on the fact that they were daring experiments. While some tanked, or were appreciated years later, most were recognised and hailed for their genius.

If you revel in experimentation and love the movies, you should head to Films Division today for a three-day retrospective of Indian Cinema. The event is titled ‘Hundred Years of Experimentation (1913-2013)’ and will be conducted by film scholar and anthropologist Ashish Avikunthak along with documentary film maker Pankaj Rishi. The duo will attempt to add a historical perspective to the contemporary debate to celebrate a 100 years of Indian cinema.

Works that are “not driven by the desire to just produce an aesthetic artifact but rather to create a discursive field,” have been specifically chosen by the two film experts. According to the press release for the event, “The films challenge modernity by opening up a conversation with Indian history, tradition, culture and religion.”

Several films categorised under various heads will be showcased. It starts with Dadasaheb Phalke’s 1913 silent mythological Raja Harishchandra under the heading ‘Experiments with Gods’ and was chosen since the film effectively catapulted “modernity and tradition into a cinema of religiosity – a dominant form of cinema of the silent era.”

The second category ‘Experiment in the state’ will showcase films produced by S Sukhdev and Tyeb Mehta. ‘Experiment in the school’ will showcase the works of Ritwik Ghatak and his students at Film and Television Institute of India (FTII) which include diploma films by Kuntal Bhogilal, Rajan Khosa and Satyajit Ray.

Alongside these, documentary films by the likes of Pallavi Paul and SNS Sastry and short films by Ashim Ahluwalia, Natasha Mendonca and animation (co-curated by Nina Sabnani) will also be screened. Mortimer Chatterjee of Chatterjee and Lal will co-curate the section on video and installation featured in contemporary art galleries over the past 10 years and which includes works by artists Nikhil Chopra, Hetain Patel, Sahej Rahal, Nalini Malani, and Kiran Subbaiah.

The festival is on from today, June 28 to Sunday, June 30. It will close with a round table discussion between the curators and film makers.

Entry is free. Head to RR Theatre, Films Division, Peddar Road, Mumbai.

(Pictures courtesy dearcinema.com)