Categories
Enough said

A good time to speak of governance…

…and also of a 91-year-old diplomat-turned-author’s steady and unflinchingly straightforward look at the big picture in India and Pakistan’s ties.
Humra Quraishiby Humra Quraishi

We now have a new Government at the Centre, and even in the run-up to the event, amidst all the frenzied hype of the exit poll results, there was a slew of new books to watch out for. Chief among these was journalist and author Hari Jaisingh’s Pitfalls Of Indian DemocracyBapu to Anna.

This volume captures not just the political graph but the very patterns of governance in India. As the title suggests, the book presents an in-depth look at what the nation has undergone in these last few decades. Jaisingh says in the preface, “From the take-off point of Mahatma Gandhi’s satyagraha against the colonial rule, the volume discuses in depth post-Partition problems and issues which continue haunting the polity even today.

“It has a special focus on social activist Anna Hazare’s fast at the Jantar Mantar and Ramlila Grounds in New Delhi, to protest against corruption and enforce related reforms mechanism. The volume is concerned as much with governance as with polity matters that have affected the life of the nation since Independence.”

Young old boy Pran Nevile

And then there’s 91-year-old diplomat-turned author Pran Nevile (in pic on right with Pak author Tehmina Durrani). Last fortnight, he attended the Literature Festival at Islamabad and before that, the Lit Festival in Lahore. In PranTehminathese last few months, Nevile has been visiting the country of his roots for several special occasions.

It is heartening to hear him talk about his visits. “Though I have never sought publicity, I am much sought-after in Pakistan. There, I’m an acknowledged authority on the cultural, social and historical aspects to Lahore in the pre-Partition era. In fact, I’m much more know there in Pakistan than here, in my own country,” he says.

So what does he think of the present-day India-Pakistan relations and the ongoing political scenario in our country? “I have always followed one self-imposed rule: I never discuss religion or politics. My talks are only related to arts, films, literature, folklore, music and culture. Though my family and I suffered during the Partition and we were uprooted, I’m not bitter about the Partition. I look at it as an episode of history. I want the two countries to be friendly and live in a harmonious way,” he explains.

Read more about Pran Nevile here.

Humra Quraishi is a senior journalist based in Gurgaon. She is the author of Kashmir: The Untold Story and co-author of Simply Khushwant.

Categories
Cinema@100

‘Pakeezah and Umrao Jaan were first made in Pakistan’

Pran Nevile, the man with a passion for musical tribute concerts, talks about organising a music concert night in Pakistan.
by Humra Quraishi

Pran Nevile is passionately obsessed with the bygone era. For one reason or another, this retired diplomat is rather fascinated by the past, and the dominant personalities of the day. This is amply evident from the volumes that he has authored: Love Stories from the Raj, Nautch Girls of India, Beyond the Veil, Rare Glimpses of the Raj, Stories from the Raj: Sahibs Memsahibs and Others, K.L. Saigal: Immortal Singer, and Lahore — A Sentimental Journey.

pran nevileIf one were to move from the books he has authored to the musical programmes he holds, then once again, what strikes you is his focus on stars, singers and performers of yesteryears — right from KL Saigal, Suraiyya and many others who have left a mark on generations of filmgoers. Credit goes to Nevile for putting together ‘gems’ from old music albums, recordings and more.

Pran Nevile, the man
As a retired civil servant he could have sat back and relaxed with the comforts that come with retirement, but he chose to pick up a pen and write. “No, no typing on computers for me,” he once told me. “I have written several books with my pen.”

Nevile is rather obsessed with the bygone era and the characters who flourished then. His focus is on that period, and even the musical programmes he arranges focus on yesteryear stars. Each of these musical evenings has seen a packed auditorium with the audience sitting lost in nostalgia.

Perhaps he is able to strike a chord because he carries a welter of emotions within, something which probably started when he was forced to leave Lahore as a very young man. As he writes in his preface to his book on Lahore, “This book on the Lahore of my days was conceived in the lonely dining room of Hotel Astoria in Geneva in November 1963. I was having breakfast when I heard someone calling out to me in Punjabi, `Motian aleo, Hindustan de o ke Pakistan de?’ (Prince of Pearls, are you from India or Pakistan?)’

“I looked back, responding promptly, `Bashao aao baitho, main Lahore da han‘ (Your Royal Highness, please come and sit down, I hail from Lahore). In no time we became very friendly, a blend as it were, of ghee and khichdi (clarified butter and curried rice) and talked about our glorious city. The conversation released a flood of memories deeply impressed on my mind for decades. I have tried in these pages to commit them on paper.”

The Pakistan angle

And what is refreshing is that in the epilogue, written after he revisited Lahore after several decades, in 1997 and again in 1999, he does not indulge in bitterness or Pak-bashing.
Recently, on May 16 to be precise, I spoke to him in the backdrop of Nawaz Sharif coming to power in Pakistan. Was there, I wondered, a chance of improvement in Indo-Pak ties, and does he plan to take his musical concerts across the borders to the country of his birth?

“I plan to go to Pakistan around September this year,” he said, “and in all probability, I plan to show this documentary I have made there. It is called Indo Pak Musical Journey.”Pakeezah
He chatted on about the similarities in the cinema of the two countries. “When in India we made the film Anarkali, they later made the film in Pakistan with the same title. Then Pakistan made Pakeezah and Umrao Jaan, before these films were made in India (see pic on right). One Pakistani film, Naukar Woti Da, was copied in India totally, scene by scene. The only thing they did was change the title from Punjabi to Hindustani, making it Naukar Bibi Ka.”

I asked him how the common people of both countries could relate and co-exist, and he said, “The bureaucracy doesn’t seem interested in people connecting. What happened to those earlier talks of ‘no visas for senior citizens’? There are so many over 60 years of age keen to visit each other’s countries. All those promises of people visiting each other from across the border…the bureaucracy is not really bothered to see this happen.”

(Pictures courtesy www.thehindu.com, www.lahorelitfest.com, bollyspice.com) 

Exit mobile version