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Achieve

Mumbai artist to be part of international art jury

Organised by World Citizens Artists, the art and music competition features Prakash Bal Joshi as one of its jury members.
by The Editors | editor@themetrognome.in

prakash bal joshiPrakash Bal Joshi goes from strength to strength every year. The Mulund-based artist of international repute is set to be a jury member on an international art and music competition ‘World Citizen Artists Competition’ in London later this year. Prior to this, in June this year, he was assigned responsibility as an Ethics Advisor and Ambassador by the World Citizen Artists – an artists’ initiative by a Paris-based artist community to raise awareness about global issues through art.

“It is a worldwide art movement in partnership with London-based Belgravia Gallery and the Playing for Change Foundation,” he said. The competition will see entries from around the world on the theme ‘Peace’, and it is an excellent opportunity for both upcoming and feted artists from South East Asia to showcase their works at the noted Gallery. Belgravia Gallery has a rich history, and houses the works of Picasso, Prince of Wales, Andy Warhol, Matisse and Nelson Mandela.

“For the visual art section, there are three jurists on the panel – Valerie Van Lee from Paris, another from the UK, who is the Gallery’s curator, and I,” Joshi said. “I am happy to be associated with the contest  as a jury member as it would be a unique experience to work at the international level and interact with curators from other countries and understand conceptualisation of ideas in visual forms by artists from all over the world. The theme ‘Peace’ is very relevant today as the world is facing the worst kinds of violence in many parts of the world.”

He added that while judging the art works, the jury members would apply “very strict and scientific methods”, with marks awarded for theme, visualisation, method, innovation, and style. “Marks from three different juries will be taken together to shortlist submissions for awards,” he explained. 

Artists and musicians must send their entries to http://wwww.wcacompetition.com latest by November 16, 2014. Winners’ names will be declared by December 5, 2014.

Categories
Achieve

Mumbai artist appointed Ethics Advisor by international artists initiative

Mumbai artist Prakash Bal Joshi will officiate as an Ethics Advisor and Ambassador for World Citizen Artists, an artists’s initiative.
by The Editors | editor@themetrognome.in

Prakash Bal JoshiMumbai based artist Prakash Bal Joshi has been assigned responsibility as an Ethics Advisor and Ambassador by the World Citizen Artists – an artists’ initiative by a Paris-based artist community to raise awareness about global issues through art.

The global community of artists was launched in Paris by highlighting the plight of refugees around the world coinciding on June 20, World Refugee Day. Joshi who has exhibited his art in Europe, USA, Turkey, Bhutan and other international art hubs, says, “The launch of the WCA is a call for creative artists to join and support the aim of raising global awareness about contemporary issues through art.”

Joshi’s work as Ethics Advisor and Ambassador will be to keep the focus of the WCA in mind and ensure that that focus is not compromised on. He says, “The WCA have artists from all over the world. I will be interacting with the core committee and discuss and decide the issues to be undertaken by the organisation and how artists’s works are used to make people aware of issues. I will also consider and decide on issues of disputes or any complaints against any member of the organisation and advise the WCA about how to deal with it, as also consider any complaint against any art visual displayed by the organisation.”

In addition to highlighting global issues, WCA intends to democratise art through social media by providing a platform for emerging artists to get their message across to art lovers, alongside established artists who wish to use their reputation to bring about positive change in the world.

Paris based artist Valerie Won Lee is the founder member of the group along with other artists Lesa Weller, USA, Pablo Solari, Argentina, Ger Costelo, Ireland.

(Picture courtesy worldcitizenartists.org)

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Event

India Art Festival starts today

500 senior and upcoming artists, over 30 Indian galleries will participate in the the four-day festival at Nehru Centre, Worli.
by The Editors | editor@themetrognome.in

The third edition of the acclaimed and feted India Art Festival will kick off at Nehru Centre, Worli, today. The festival will see 500 senior and upcoming artists participate; there will also be painters represented by 30 art galleries from across the country.

Artistes such as Mumbai-based Prakash Bal Joshi and Anjlie Vellody will showcase their works at the festival. This year, the Festival includes the ‘Public Art Space’ in which a few art galleries are participating, apart from the segment ‘IAF Conversations’, a panel discussion chaired by Ranjit Hoskote.

The  India Art Festival – India’s contemporary Art Fair is on from December 19 to 22, 2013 at the Nehru Centre, Worli. 

(Picture courtesy Anjlie Vellody. The image depicts Vellody’s work, ‘Laxmi on mobike’)

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Hum log

Mumbai artist to exhibit at Izmir

Artist, writer and former journalist Prakash Bal Joshi flies to Izmir, Turkey, tomorrow to participate in an international art festival.
by The Editors | editor@themetrognome.in

Noted self-taught artist Prakash Bal Joshi flies to Izmir, Turkey  tomorrow to showcase his work at the biennial international art festival to be held there. The 60-something Joshi, a Mulund resident, was chosen to participate with 49 other artists out of a total 2,500 in the festival that will be organised by the local university as well as the National Museum of Art, and will see the exhibition of select artists’ works as well as debates and discussions on art.

Joshi is no stranger to international showings – he has previously shown at Europe’s biggest art festival at Basel in ‘Art Basel, Switzerland’ in 2012 as well as done a solo showing at Colorida Art Gallery at Lisbon, Portugal, in 2010 and the Las Vegas International Exhibition of select artists in 2010, among others. He has also exhibited widely all across in India.

A former journalist with leading newspapers (he retired a few years ago from The Times of India, Mumbai), Joshi tells us that working with newspapers “widened his perspective”. He says, “I was good at Maths and Science as a student, but I had a strange pull towards Arts. I finally chose the Science stream, but I would put down my thoughts and draw small illustrations as well, just as a hobby.” Joshi is also one of the torchbearers of what he calls the ‘golden period of Indian journalism’ – the Emergency. “As reporters, we had unbelievable freedom to research stories and go to their absolute depths. This grounding helped me later as well, when I started painting as a hobby.

 

“Also, when we worked in newspapers, our written articles would go to the editing desk and come back only after an hour or more. In the mean time, I would sit and sketch.” To this day, however, he confesses that the biggest challenge for him lies not in completing a painting to his complete satisfaction, but to empty his mind completely before he picks up the brush.

The ‘natural’ connect

Joshi confesses to a mysterious connect with rivers and nature, something which probably stems from his childhood tryst with swimming in a river and almost being drowned. He is known to use rivers as a visual metaphor to portray the flow of life, and his dismay at the loss of many rivers to the ravages of time. “I am sometimes asked about painting in a noisy city like Mumbai. But I am fascinated by the city’s crowds and its travel patterns as well.

For the last 15 years, Joshi has actively pursued his passion for painting, despite the demands of a high-pressure job. “I made the switch to canvas several years ago, and I have followed a set routine despite my job – I would come home every evening, zone out completely, then paint for two hours,” he says. He has set up a small studio in his house, and credits his family with astonishing levels of patience with his work. “Those around you begin by not understanding what you are up to, but they develop with you,” he says. “As an artist, you take it for granted that most people may not understand your work, so you reconcile yourself to working without waiting for acceptance.”

He is now waiting to experiment with oil pastels next, a medium he has never worked with before.

(Pictures courtesy Prakash Bal Joshi) 

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Guest writer

Ek tha tiger

Prakash Bal Joshi writes on the life and times of Bal Keshav Thackeray, Maharashtra state’s most enigmatic politician to date.

Bal Keshav Thackeray who ruled Mumbai, the commercial capital of India for four decades and ran his right wing outfit, the Shiv Sena, with an iron fist, passed away today after a long battle with a pancreatic illness. With his passing has gone an enigma from state politics.

Born on January 23, 1926, he began his career as a cartoonist for The Free Press Journal and later created a sort of world record by addressing huge public rallies  year after year at the same venue – Shivaji Park – for a straight 46 years.

After working with a renowned cartoonist like RK Laxman, he launched and edited Marmik, a weekly periodical that carried cartoons drawn by Balasaheb. His subject was Marathi ethos. It was easy for him to turn the periodical into a mouthpiece for the Shiv Sena in 1966, to organise and fight for unemployed Marathi-speaking youths. Initially, he went after the South Indian population in the city, for depriving Marathi youth of clerical jobs in government as well as the private sector in Mumbai and around.

Under his stewardship, the Shiv Sena grew from strength to strength in the decade signalling the 1970s, when communist trade unions in Mumbai metropolis controlling most of the textile mills began losing their grip. The then Congress Chief Minister Vasantrao Naik used the aggressive Shiv Sena against Leftist organisations, as well as maverick trade union leader Datta Samant, who had launched a historic strike in textile mills in the state capital. Thackeray first slowly captured power in the Brihanmumbai Municipal Corporation (BMC) and the neighboring Thane Municipal Corporation (TMC), later rising to turn the Shiv Sena into the most militant right wing Hindu nationalist organisation in Maharashtra. He molded his father ‘Prabodhankar’ Thackeray’s progressive philosophy to suit his line of action.

Thackeray grew from strength to strength and from one controversy to another; his rallies were always massive as people came from far off places to listen to his colourful speeches lampooning Congress leaders. Unlike traditional political leaders, he never considered caste factor while promoting his party workers or appointing them on plum posts. His political friends as well as opponents always respected him for his direct approach and ability to take decisions against popular sentiments.

He had penchant for making highly inflammable and controversial statements and always remain in the lime light. Due to political compulsions, the Congress government in the State never took any serious action against him, even when demands were made for strong action for his provocative statements. His appreciation of Hitler as an artist and orator created such a kind of controversy that even international media took note of this politician.

In the early 1980s, he changed his political track in a bid to expand his base. From merely talking about the ethos of the Marathi manoos, he began projecting the Shiv Sena as the most militant Hindutva organisation. Despite strong opposition from a section within the BJP – later to become its ally in the State, when Pramod Mahajan succeeded in forging an alliance owing to his excellent personal relations with Balasaheb – the relationship between the two remained intact and helped both the parties grow in the Congress-dominated State, and later catapulted the BJP to power in Delhi by aligning with like-minded regional parties.  As the Shiv Sena grew in rural Maharashtra, Thackeray started Saamna, a daily newspaper that till date serves as the party’s mouthpiece.

The Shiv Sena always remained a key player in Maharashtra, and when the saffron alliance came to power, Balasaheb decided to appoint Manohar Joshi as the State’s first non-Congress Chief Minister. At this time, he also earned the nickname ‘Remote Control’. In 1992, he claimed that his Sainiks were responsible for the demolition of the controversial Babri Masjid, and the Remote Control earned a new sobriquet – Hindu Hriday Samrat (Emperor of Hindus’ heart).

He also faced and weathered many political crises, as some of his trusted lieutenants left him for one or the other reason. Chhagan Bhujbal left when he opposed the Mandal Commission, later former Sena Chief Minister Narayan Rane left with his supporters and joined the Congress. A much bigger shock was in store when his nephew and supposed political heir Raj Thackeray left the Sena and set up his own political party, the Maharashtra Navnirman Sena (MNS). In recent times, Thackeray Sr made several attempts to reconcile his son Uddhav and Raj, with his last attempt being the pre-recorded speech at Shivaji Park that he made in this year’s Dussehra rally. His appeal to the Marathi people to remain united would be his last appeal at his beloved Shivaji Park.

Prakash Bal Joshi is a veteran state political journalist and renowned artist. He last worked with The Times of India, Mumbai. 

(Picture courtesy www.hindustantimes.com) 

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