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Film screening: ‘My name is Salt’

Watch the critically acclaimed and multiple award winning documentary ‘My name is Salt’ this evening; being screened at the NCPA.
by The Editors | editor@themetrognome.in

A powerful story well told, has an impact like no other.

This evening, the critically-acclaimed and much-feted documentary film, My Name Is Salt, will be screened at the NCPA in collaboration with the Indian Documentary Producers’ Assocation (IDPA). The film is a sensitive, searing look at the many families who come to Kutch to extract salt, for a long eight months with the harsh sun beating down on them.

Describes a blurb on the film’s website, ‘The desert extends endlessly – flat, grey, relentless. There is not a tree or blade of grass or rock. But there is one thing in abundance: salt. Salt is everywhere, lying just beneath the cracked, baked surface of the earth. This is the Little Rann of Kutch, 5000 sq kms of saline desert. And for eight months of the year, the salt people live here – laboriously extracting salt from this desolate landscape. They have been doing this for generations.

Year after year, they migrate from their villages, 40,000 of them, to live on this bleak land without water, electricity or provisions. Arriving just after the monsoon, Sanabhai and his family will live here from September until April. Their nearest neighbour is a kilometre away. They communicate by flashing mirrors in the sunlight. Sanabhai’s wife Devuben walks across the bare, trackless desert to chop firewood. They buy the family’s water supply from a private tanker that comes once a week…’

Watch the trailer of the film here:

 

The film is the journey of Chhanabhai and his family who live without water, electricity or provisions for eight months of the year – tirelessly extracting salt from this desolate landscape. Under the blinding glare of the sun, they work on the salt fields until large crystals have formed. Their labour is rhythmic, a dance that mirrors the dance of the mirages on the burning horizon.

Written and directed by Farida Pacha, the film has won several awards at international film festivals.

Admission is on a first-come-first-served basis. NCPA members will get preferential seating till 6.20 pm. The film begins at 6.30 pm and is 92 minutes long.

(Picture courtesy mynameissalt.com)

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Achieve

Mumbai company to build SAARC region’s first seaplane maintenance unit

MEHAIR will set up the maintenance, overhaul and repair unit in Gujarat, will save enormous monetary resources on ferry flights.
by The Editors | editor@themetrognome.in

India may have just a couple of seaplanes since their launch in 2011 in the Indian subcontinent but the country is all set to have the first Maintenance, Repair and Overhaul (MRO) for single engine seaplanes in the entire SAARC region.

Being the brainchild of MEHAIR, the private company which has pioneered the launch of seaplanes in India, the MRO is being proposed to be set up in Gujarat. The company signed an MoU with the Gujarat Government on the first day of the Vibrant Gujarat event at 1100 Hrs in the presence of the State Chief Minister Anandiben Patel and other senior dignitaries. The MRO is being planned next to Bhadar dam close to Amreli Airport so that both the amphibian type and straight float type seaplanes can be accommodated for servicing in the facility.  The MRO is likely to be up and running within the next 18 months subject the grant of land and other statutory approvals from the state and central authorities.

Speaking on the occasion, Siddharth Verma, Co-Founder and Director of the company said, “Such a facility will not only cater to the seaplane population of India but also the growing seaplane numbers around India in the SAARC region. As of now these planes need to go to the USA, Europe or Australia thereby having to spend a lot of money on the ferry flights as well as the high cost of labour in these countries. India will provide an excellent next door facility plus economies of lower cost to the seaplane fleets of the SAARC region. Additionally it will earn Indian valuable foreign exchange, generate jobs and make Gujarat the nodal point for seaplanes.”

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Learn

Asses on stones

Markers of a distinctive, historical past, stones showing donkeys in sexual congress with a woman abound in Mumbai and Maharashtra. Sadly, they are victims of neglect.

Shubha Khandekar spoke to Dr Kurush Dalal (in pic below), who teaches archaeology at the Centre for Extra Mural Studies (CEMS), Mumbai University and who has done extensive archaeological fieldwork in Chandore (Maharashtra), Sanjan (Gujarat) and Balathal (Rajasthan), about gadhegals, which have a quaint and fascinating history.

Shubha: What is a gadhegal?

Dr Dalal: A gadhegal is essentially a three-part stone slab in which the top part shows the sun and the moon, with or without a kalasha. The middle part consists of an edict, the shilalekha, which is usually the grant of a plot of land and sometimes of a house to a benefactor. The lowest part of this stone justifies its name gadhegal: it explicitly shows a donkey in sexual congress with a woman.

S: Why such a strange depiction?

Dr Dalal: A gadhegal needs to be seen in its totality, as therein lies its importance as historical source material.

The sun and moon symbolise perpetuity, the kalasha indicates prosperity. The graphic has evoked different interpretations: some feel that anyone who dares to violate the royal decree is being threatened with the most disgusting of punishments: that his mother would be violated by an ass. Others feel that it symbolically represents Mother Earth, and the ass (the vehicle of the goddess of pestilence and plague – Sheetaladevi) represents drought, famine, desolation that would come visiting anyone who defies the royal edict. A gadhegal is thus an Ass-Curse-Stone.

S: What is its significance for the study of history of Maharashtra?

Dr Dalal: These gadhegals are the markers of the Shilahara period as, being essentially land grants, they indicate the extent of the empire of the dynasty and sub-dynasties. The Shilaharas who reigned from the mid 10th to 13th centuries, were the first purely Maharashtrian dynasty that ruled the coastal areas of Konkan. They were initially the feudatories of the Rashtrakutas, who were responsible for the creation of such monumental beauties as the Ellora and Elephanta caves.

The earliest inscriptions in Marathi (in Maharashtra) are seen on gadhegals. A large number of early medieval land records and place names are also found on these gadhegals. The locations indicate the distribution of the cadet branches of the Shilahara dynasty, namely the Northern, the Southern and the Kolhapur Shilaharas. The language is either heavily Sanskritised Marathi or Sanskrit.

The word ‘gal’ means a stone in Kannada and is a common term associated with hero-stones (Veergal) and Sati-stones (Satigal) which saw their probable origins in Karnataka but they abound in Maharashtra too, and have evolved in a distinctive form. The gadhegals though are unique to the west coast of Maharashtra and Goa with a single exception from Gujarat.

Related to gadhegals are the sati stones and the hero stones. These often bear inscriptions in Karnataka but sadly not in Maharashtra. That is how the gadhegals in Maharashtra have evolved from their earlier avatars.

S: Where and how many gadhegals are there in Maharashtra and how are they different from those in Karnataka?

Dr Dalal: In Mumbai itself there are/were at least 12. There are about six or seven gadhegals with the Chhatrapati Shivaji Maharaj Vastu Sangrhalaya in Mumbai. There is one at the Ram Mandir, near Charni Road, there is one from Nalasopara, one from Powai and one from Vasai. There is one recorded from Jogeshwari which is now in Portugal, and there are probably others in the environs of Greater Mumbai which haven’t been identified.

There are many more on the Western coast. One has been reported from Porbander, Gujarat, perhaps relocated from Maharashtra. Gadhegals are strewn in the belt from Thana to Goa. A few are inland: there are two at Tuljapur, one at Satara and a couple in Kalyan.

However, this being a poorly-researched subject, who knows how many would be lurking in the fields, homes and shrines of the Konkan?

S: Which are the most famous gadhegals in Maharashtara?

Dr Dalal: Eminent Marathi scholar SG Tulpule has identified a gadhegal at Akshi (there are two here) close to Alibaug in the Raigad district as the first ever inscription in chaste, though archaic, Marathi. It is a land grant by King Keshideva. Fortunately, it has a date on it: Shaka 934, which works out to 1012 CE, which means, as of today, this gadhegal is exactly 1,000 years old! This should have been the occasion for great celebration. But instead, we see only neglect, apathy and ignorance from all quarters! Wind, rain and sun have almost completely erased the inscription today due to our apathy.

Another at Diveagar issued by King Anantadeva records the donation of land and a house. It is datable to 1137 CE. This gadhegal, whose original provenance is not known, was rediscovered and reinstated by the efforts of the Centre for Extra Mural Studies (CEMS), Mumbai and India Studies Centre (INSTUCEN) Trust.  Two more in a damaged state have also been found in the vicinity.

Interestingly, a gadhegal issued by King Aparaditya I, originally at the Jogeshwari caves, was taken to Cintra in Portugal and was published from there. It has 22 lines in Nagari script which record a donation of houses to important people in the royal court.

What are your suggestions for the conservation of gadhegals?

The inscriptions are in low relief and hence they get weathered and worn out fast. Intensive conservation efforts are needed to protect this heritage. A simple initial step could be the erection of a small shed over the stones and a careful photographic recording along with their impressions.

CEMS is currently working on three gadhegals at Diveagar and another one close by at Deokhol.

For conservation it is necessary to harness popular support by making the people aware of what these gadhegals are.

Possibly with the best of intentions, the villagers often wash and scrub them, and coat them with vermilion. This has to stop. They must be told not to move them and instead erect a shed around them for protection against the sun and rain. The historic gadhegal at Akshi has weathered so much that but for a faint trace of some letters, all of it is blank!

Private agencies and the local Government must come forward to create resources for the conservation and the government must provide generous support. They are today lying in isolated places, scattered all over the countryside. We must create local museums where these artefacts are displayed. We should create fibre glass replicas for sale to generate revenue.

The tradition of gadhegals continues right up to the Bahamani period. At Dabhol has been found a gadhegal that has inscription in Arabic and Marathi, but no graphic representation.

If the local people, local panchayats and the State Government join hands and also get private agencies involved, conservation can bring knowledge, pleasure as well as revenues.

(Featured image courtesy Dr Kurush Dalal. Image shows an Akshi Gadhegal dated 1012 AD by SG Tulpule and which according to him contain(ed)s the oldest Marathi inscription in Maharashtra.)

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Big story

Serial hoax caller arrested from Gujarat

Youth had earlier threatened to blow up trains and hijack planes if Kasab was not released; picked up from Vapi.
by The Editors | editor@themetrognome.in

There sure are some strange 19-year-olds in the country. Vikas Yadav, a resident of Vapi in Gujarat, was arrested by the Mumbai Police three days ago for making three hoax calls since 2011, threatening to blow up trains such as the Rajdhani Express or hijack airplanes. His reason? He was a fan of Ajmal Kasab, the captured 26/11 terrorist who was executed by the Maharashtra Government last year.

The youth’s first such call came in January 2011, when he threatened to blow up the Rajdhani and Garib Rath Express. At the time, he had assumed the identity of underworld don Dawood Ibrahim. Then, in the period between June and December 2012, he made other calls threatening to hijack an Indigo Airways’ plane from Bangalore airport, and later that he had planted an explosive at Delhi’s International Airport. Both these times, his demand was that 26/11 terrorist Ajmal Kasab be released.

His most recent call came to Jet Airways in October 2012, when he identified himself as Vikas Yadav, and threatened to hijack the Mumbai-Bangalore flight, again with the order that Kasab be released.

Various police stations all over the country were on the lookout for Vikas, but he managed to evade arrest for two years. However, owing to the severity of the threat calls (especially since Kasab’s name was used), the probe into the matter was taken up by the Mumbai Crime Branch under Joint Commissioner of Police (Crime) Himanshu Roy. Some of the calls were found to originate from Bihar, and a team was dispatched there. However, that team found that Vikas lived in Vapi with his family.

Vikas was picked up from his Vapi residence on January 18, 2013. He has been charged under various sections of the IT Act and the Suppression of Unlawful Acts against Civil Aviation Act. Five mobile phones and SIM cards were seized from him. “During investigation, he said that he is fan of Qasab because he had dared to kill hundreds of people during 26/11,” a police official said.

(Picture courtesy sofiaglobe.com)

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