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Guest writer

The aromas of Mumbai

You can tell which part of the city you’re in just by the stink or the fragrance of the place. Mumbai has a very strong olfactory connect with its people.
Neerjaby Neerja Deodhar

After living in this busy metropolis for about 17 years, I’ve realised one thing – your senses are automatically heightened here. Whether it’s your eyes that are constantly alert in the fast-paced traffic or your ears that are forced to hear a cacophony of trains, vendors and honking cars. Your mouth and taste buds that have grown accustomed to Mumbai’s spicy, flavoursome cuisine.

And of course, we’ve all had the chance to travel in a packed local train, scared that we’d get pick-pocketed – it’s like we’re born with a heightened sense of touch, too. But I perceive Mumbai to be a “city of smells”. By this, I don’t imply that ours is a city full of stench and smog; no, it’s much more than that! Like each home has a distinct smell of its own, Mumbai has these particular aromas and scents that define the city and give it character.

The moment you step into Mumbai, your impression about the city could vary, depending on whether you’re an optimist or a pessimist. A pessimist would complain about the foul odour that comes from the slums, (You should know that Mumbai is home to one of the largest slums in Asia – Dharavi, so that’s a lot of stink!), the amount of vehicular pollution and smoke from cigarettes, the malodour of overflowing sewage etc.

An optimist, on the other hand would enjoy the sterile, sanitised smell of malls, hotels which are plenty in Mumbai. Or you Shopping malls in Mumbaicould be a realist like me and believe the city has a dual identity with a motley collection of fragrances and odours. But that’s a discussion for later.

Urbanisation has changed the face of Mumbai entirely – quaint little bungalows with terracotta tiled roofs are replaced with high rises made of chrome and glass. ‘Niwas-es’ and ‘Sadans’ are pulled down to make way for ‘Towers’ and ‘Heights’. However there still are some remaining gardens and patches of green like the Hanging Gardens, Jijamata Udyan, the Sanjay Gandhi National Park to name a few. Mumbaikars still visit these parks to get a whiff of nature.

And how can I forget the numerous “Chaafa” or champa trees with their sweet-smelling flowers! Ironically this fast pace of industrialisation and development hasn’t improved the condition of public toilets in the city. Most Mumbaikars still cringe at the stink that comes from our city’s ‘shauchalayas’.

fish dryingThe part of Mumbai that I enjoy the most is the sea. As a child, I’d know that we were passing by some “Chowpatty” or  beach by the crisp saltiness in the air. Mumbai’s fish markets smell of the salty sea too – it’s the smell of freshly caught fish. Most times these markets give off the odour of rotting fish – an odour I still find repulsive. And then there is the floating smell of sukka bombil or Bombay duck dried in the sun near the coast!

Another way of knowing that you’re near a crowded beach is the inescapable smell of chaat. The aroma of herbs, garam masala, the tang of squeezed lemons in a plate of bhel puri or sev puri are enough to set the juices going in your mouth! You’d also smell vada pavs being fried and pav bhaaji being prepared – taka-tak – two dishes that originated in Mumbai. And then there is the smell of piping hot ‘cutting chai’, (The term cutting chai is said to have originated in Mumbai too!) sold at tea stalls at every nukkad of Mumbai. Every meal in India usually ends with paan. Another common feature on the streets and many walls of Mumbai are paan stains which have their own disagreeable stink.

Sometimes I can tell which part of Mumbai I’m in only by the distinctive redolence of that part. I know my train is passing through Andheri when I get a whiff of baked biscuits because the Parle G factory is very close to Andheri station. I know that my taxi has taken a turn at King’s Circle because of the aroma of freshly ground coffee beans and the local cafes serving original south-Indian filter coffee. For that matter I still associate the aroma of freshly baked bread, cakes and cookies from the string of bakeries in my very own Orlem.

Travelling in local trains has become a part of the daily routine of a large number of Mumbaikars. More than often these trains packed local trainare overcrowded, filled with more passengers than can fit in. Now it’s not the sea of bodies that I have an issue with, it’s the smell of human sweat that’s the problem! At such times I dream of Mumbai during the monsoon. There is nothing more beautiful, more gratifying than rains in the city! It gives us Mumbaikars relief from the summer heat, the air smells fresh and clean. The smell of wet mud right after a shower is almost magical. Yes, such earthy fragrances are a part of Mumbai too!

At times I wonder what the city would be without its individualistic smells, if the roads didn’t have any vendors and all spaces were sanitised and air conditioned. Mumbai wouldn’t be as exciting as it is right now. Mumbai’s smells are part of its diversity and personality. If it weren’t for these odours and fragrances I probably wouldn’t be so attached to the city!

Neerja Deodhar studies Arts and lives in Malad. Nothing thrills her more than exploring new places and ideas, meeting unusual people and writing about them.

(Pictures courtesy www.prishindia.com, windyskies.blogspot.com, www.the-nri.com, evestigio.blogspot.com, www.time.com)

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Hum log

When your dreams are in plain sight

Dr Samir Mansuri is visually-challenged, but that hasn’t stopped him from pursuing Ayurveda, selling organic beauty products and conducting research.
by The Editors | editor@themetrognome.in

Being born visually challenged brings its own set of problems – from having to do everything differently than ‘normal’ people, those without the gift of sight are often hampered in pursuing their ambitions due to lack of support and infrastructure. Little wonder, then, that the country has only a handful of visually-impaired doctors – our educational system also makes it that much more difficult for unsighted people to study medicine or physiotherapy.

And yet, if you have the focus, nobody can hold you back. City-based Dr Samir Mansuri, an Ayurveda practitioner, is proof of this.

Dr Mansuri started his own line of organic beauty and skin products, Ocean Miracle, in 2011, and today, has several celebrities among his clients. We spoke to him about the challenges of studying medicine without the gift of sight, growing up and nurturing the medical dream, and doing all that it takes to realise one’s ambition.

Excerpts from the interview:
dr samir mansuri Being born visually-challenged and then growing up without sight must have been difficult. Can you describe what your childhood was like?
Yes, I was born blind, but I was gifted with a very keen sense of hearing, which I was conscious of since a very young age. Since I could not see, my family sent me away to an NGO-run boarding school for the blind.

Growing up, I realised that my family did not want me to return home because for them, I was a liability, a curse. So when I completed my high school education, I moved to Hyderabad. There was no definite plan at that time…I lived on railway platforms, slept beneath staircases, then later began working in massage parlours as a masseur to earn money.

How did you study Ayurveda?

I wanted to study further, and I did, opting to study Arts and later specialising in Ayurveda. Luckily for me, I met an 89-year-old traditional Ayurvedic doctor, Guru Shamshuddin, who changed my life. I consider him my guru because he gave my career a new direction. I learnt a lot of things from him, learnt about making medicines. I had been a good masseuse, and I had a loyal clientele. These people became the first ones to receive my medicines. Guru Shamshuddin had taught me the science of pulse diagnosis and the secrets of herbal connotations and cures. I assisted him for four years and gathered a lot of experience. Then in 1999, I obtained a medical practitioner’s license in Hyderabad in 1999.

How did you complete your education in medicine without the gift of eyesight? What were some of the challenges you faced?
It was a very challenging task, no doubt. But thanks to technology, the visually-challenged have several ‘aids’ which help to convert text into sound – this helps in learning. And of course my friends and colleagues were very helpful and supported me all the way, apart from my Guru, who taught me everything.

When did you decide that you wanted to become a doctor? What prompted this decision? 
I wanted to do something that was considered impossible or unachievable by the visually-challenged, and becoming a doctor seemed like a good thing to do. I started my own line of beauty and skin products and I practice at my clinic in Juhu.

Have you ever faced any hostility or curiosity from patients because you cannot see? dr samir mansuri zenie media (4)
I have never faced hostility from people, but yes, definitely curiosity. For example, once I went to the police station for my passport verification. When I told the police officer that I was a doctor, he was shocked and surprised and asked me how I could be a doctor when I am blind! Even while travelling abroad (and in India, too) I face a lot of surprised questions.

How did you start Ocean Miracle?
The idea grew over time. We have now developed a range of eco-organic, eco-natural cosmetics.

Who are some of your famous clients?
Some of them are filmmaker Subhash Ghai, TV actress and model Reshmi Ghosh, actor Ashmit Patel and there are several others. I cannot mention too many names due to the doctor-patient confidentiality.
Has the market for organic beauty products grown in recent times? 

Yes, the market has grown tremendously. People are more conscious about the entire ‘organic funda’, to put it mildly. Many people do not want to use synthetically or chemically-prepared creams and lotions on their skin.

How do you vouch for the purity of your products?
They are officially and scientifically tested and certified by labs not just in India but also abroad.

You recently conducted a research on fake and spurious beauty and cosmetic products. What were your key findings?
We studied over 500 products available in India, and found that about 50 per cent of all cosmetics and beauty or skin care products sold over the counter in India are either fake or spurious or both, or whose shelf life has expired and are harmful to the human skin in the long run. Then there are many products that do not have the mandatory Government of India manufacturing license for cosmetic products. We also found that about 65 per cent of unbranded products or unknown brands contain harmful ingredients or compounds.

Even more worrying is the fact that Ayurvedic products manufactured by FMCG giants contain ingredients obtained from herbs and plants or plant extracts grown artificially, not organically.

What are you planning to do with your findings?
We have forwarded our findings to the Ministry of Health and the Maharashtra FDA (Food and Drug Administration). It is for them to take the necessary action.

Lastly, any words of advice you wish to offer students of medicine?
Keep trying, aim high and have complete faith in the Almighty.

(Pictures courtesy Dr Samir Mansuri)

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Cinema@100

For ‘poster’ity’s sake

Nobody makes posters now – with film publicity employing slick special effects and promotion, poster-makers are lost to film history.
by The Editors | editor@themetrognome.in

How do you learn of a new film’s release? For a few years now, the Indian film industry has woken up to the phenomenon of heavy marketing and advertising budgets, and stills from the film start doing the rounds of newspapers and websites before the film actually hits the screens. We’re inundated by ‘news’ snippets about the film’s cast and crew, there are sudden outbreaks of romantic liaisons (or bitter breakups) while the publicity is on, and huge hoardings declare the film’s arrival all over the city.

Today, filmmakers would be silly to bank on merely displaying film posters to get the job done.

In simpler times, film posters were the soul of the film. The Hindi film industry, especially, boasted of a parallel film poster-making industry, which in turn, boasted of a bevy of skilled artists and painters who drew the dreams of millions on giant canvasses. The posters were often detailed, some depicting key scenes from the film, and comprised the film’s star billing, its director and musician, and of course, the producer. Often, one marked a lack of likeness between the faces on the poster and the actual face that inspired the painting, but with all their glitches, film posters were the audience’s first and sometimes, only glimpse of the film that was to come.

We don’t make film posters like those any more. Naturally, several artists’ brushes had to be packed away as film posters began to comprise actual photographs. The poster-painting industry closed down, the displaying of a new film acquired different dimensions.

And since such film posters are not being made today, we thought we should put together 25 of the Hindi film industry’s iconic films in traditional poster form. Happy viewing!

 

(Pictures courtesy http://www.aainaism.com, sekhareeyam.blogspot.com, asiaobscura.com, downloadsongsindian.blogspot.com, bombaymann2.blogspot.com, ilovebollywoodmovies.wordpress.com, movies.rediff.com, www.4to40.com, rit-artworld.blogspot.com, mrandmrs55.com, mrandmrs55.com, en.wikipedia.org, videshisutra.wordpress.com, www.lassco.co.uk, www.maxwell.syr.edu, www.moviesonyouku.com)

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Places

Chandore lights up Konkan’s hoary past

Season one of excavation at Chandore, which is in Konkan, revealed some intriguing artefacts, ceramics and sculptural elements early this month.
by Shubha Khandekar

As the second (annual) season of archaeological excavations at Chandore, near Mangaon in the Raigad district of coastal Maharashtra draws to a close, this tiny, idyllic village has increasingly begun to look like a key hub where international trade flourished under the Shilahara kings about a 1,000 years ago, and continued up to the Maratha period in the early 19th century, through the pre-Shivaji Bahamani regime and the rule of the once pan-India Peshwas, before they suffered a decisive defeat at the hands of the British in 1818.

Facets of the history of the Shilahara dynasty that ruled the entire seacoast from Sopara in the North to Savantwadi in the South, through the 11th to the 14th century, are unfolding slowly but surely with the excavation, undertaken jointly by the Centre for Extra Mural Studies (CEMS), University of Mumbai and the India Study Centre (INSTUCEN), under Dr Kurush F Dalal, the Field Director, who teaches Archaeology at the CEMS.

This makes Chandore a crucial site, demanding extensive and long term historical, ethnographic and archaeological investigation to ascertain the antiquity, the cultural sequence and nature of the settlement at Chandore and its environs, that would shed light on hitherto unknown aspects of the history of the region for the past 1000 years and more.

This was acknowledged, endorsed and emphasised by the presence of all the bigwigs present on site on a Sunday drenched in welcome rain early June: Dr Rajan Velukar, Vice Chancellor, Dr Naresh Chandra, Pro-Vice Chancellor, and Mugdha Karnik, Director, Centre for Extra Mural Studies, Mumbai University, Dr A P Jamkhedkar, former Director, Department of Archaeology and Museums, Government of Maharashtra, Dhananjay Karnik, Drs Samuel Nazareth and Suraj Pandit, all Directors, India Study Centre (INSTUCEN), Dr Kurush F Dalal, Field Director of excavations at Chandore and Suresh Bhosale, President, Mahad Manufacturers’ Association, which came forward to finance the initial phases of this year’s excavation. In addition, Pallavee Gokhale from Pune, NR Swamy from Bangalore (Genesys International) and Vaidyanathan from Mumbai joined hands to do a GIS based study of the vast expanse over which the ruins are strewn.

While Dr Velukar committed the University’s support to the excavation, Dr Jamkhedkar interacted with the villagers of Chandore at a public meeting and explained to them the historical importance of the site, the need for conservation of the remains of the past, if possible through the establishment of a small local museum and the prevention of their pilferage, and the critical role that the villagers must play in the process.

Where is it?
Chandore is located on a ridge running north-south along the Arabian Sea coast, about 30 km to its west, a location that had carved out a unique role for the village in the political, economic and religious life of the Konkan region.

Chandore excavationThe first season of excavation revealed a rock-cut stepped reservoir, with images of Hara-Gauri (a form of Shiva and Parvati), embedded in a niche in one of its walls. Stylistically the image has been dated to the Shilahara period by Drs Arvind Jamkhedkar and Suraj A Pandit. This reservoir was adjacent to a Shiva temple, whose only extant remains consist of a sunken sanctum and a Nandi placed in the temple’s courtyard, a hopelessly crumbling image of the divine bull that one is afraid to touch for fear that it will completely disintegrate.

Excavations at the site have so far revealed plans of at least three temples, built as per the local traditions during the Bahamani period, which preceded Shivaji by about two centuries.

This kingdom had later split into five, including the Adilshahi out of which Shivaji carved out his swaraj.

Other finds from the excavation consist of a silver gadhiya coin from the 11th century, glass beads and bangles, and monochrome glazed ware potsherds typical of the 14th century.

Historically important
Chandore was incredibly active between the 8th century and 1818 when the Marathas lost the final battle against the British (Third Anglo-Maratha War). The local towns of Mangaon and Goregaon have historically been very important places on the internal highway and have both been feeders to the port of Mhasala, especially during the Maratha, Bahamani and Adilshahi phases. Both the traditional routes passed Chandore and it is only now that the route from Goregaon has bypassed Chandore, the Mangaon-Mhasala route still goes past Chandore.

The Chandore-Mhasala stretch is also a part of the Mangaon-Goregaon-Mhasala-Borli-Diveagar-Shrivardhan route. Thus Chandore lies on a critical route between the hinterland and the ports of Mhasala and Diveagar.

The surroundings of Chandore too are replete with hero stones, locally called veergals (see pic on right) , and sati stones, which together Chandore veergalsnarrate a story of valour and sacrifice, and reveal aspects of ancestor worship and the custom of Sati. Indravan, Nivachivadi, Govele, Kakal, Nalephodi, Mhasala, Borli Panchatan, Diveagar and Deokhol in the proximity of Chandore constitute a sprawling complex with thriving international trade and vibrant religious activity on a large scale.

There is, however, no inscription in this entire repertoire to give us any definitive names or dates for any of these locations, with the exception of Diveagar.

The earliest occupation of Chandore, surprisingly, seems be of the Stone Age when small, microlithic tools were made in a pre-metal era. This could push the antiquity of the site back by several millennia, and Stone Age experts who have visited the site have recommended a detailed study of the raw materials used for the tools, the structural and functional aspects of the tools and the geological context of the habitation.

The bulk of the original research published on the Shilahara dynasty consists of a volume of the inscriptions of the Shilaharas by VV Mirashi (Corpus Inscriptionum Indicarum, Vol IV brought out by the ASI in 1977). Scholars have subsequently found sporadic copper plate and stone inscriptions of the Shilahara dynasty in the Thane, Raigad, Ratnagiri and Sindhudurg districts of Maharashtra as well as the coastal area of Goa and Karnataka, and have attempted a reconstruction of the history of the region.

A particular location at Chandore is referred to as ‘kalavantiniche gharate’– the dwelling of the nautch girl(s) – in local tradition, which comprised an essential service at a trade route hub, for merchants and traders on long journeys away from home. This yet again confirms the status of Chandore as a thriving semi-urban centre.

Also, an annual religious festival is part of a tradition from the hoary past and draws in large numbers of people surrounding areas. This calls for ethnographic enquiry and its integration with historical evidence in a holistic approach to unfold the secrets buried and forgotten since yore.

This seasons excavations have just drawn to a close and the excavation team is busy cataloguing and analysing the artefacts, ceramics and sculptural elements revealed in the course of this season’s work.

(Pictures courtesy Dr Suraj Pandit, Pallavee Gokhale and Rhea Mitra-Dalal)

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Big story

Over 800 from Maharashtra still stranded in Uttarakhand

Maharashtra CM camps out at Dehradun to monitor relief efforts; about 475 tourists from State are still stuck at Badrinath.
by The Editors | editor@themetrognome.in

Even as intermittent rains lash the area and the Indian Army fights the elements to rescue as many people as they can find, important politicos are making way to Uttarakhand to take stock of the numbers of their citizens still missing or not found.

Prithviraj Chavan meets Vijay Bahuguna at DehradunMaharashtra Chief Minister Prithviraj Chavan has been camping out at Dehradun since last night. This morning, his office gave out current information for Maharashtra, after Chavan had had discussions with Uttarakhand Chief Minister Vijay Bahuguna.

As per official records, of the 2,949 Maharashtra tourists and pilgrims stuck in Uttarakhand following extremely heavy rains that caused unprecedented flooding, 2,100 have been rescued. Over 200 people from the State area are also reported to be missing. A total of over 10,000 tourists and pilgrims are still stranded, of which about 475 tourists and pilgrims from Maharashtra are said to be still stranded at Badrinath, where the current phase of rescue ops is underway. Bahuguna is said to have conveyed to Chavan that Maharashtra has provided ample help for the rescue operations. Last week, the Maharashtra Government announced a corpus of Rs 10 crore for relief and rescue at Uttarakhand.

Meanwhile, heavy rains and fresh landslides hampered rescue operations today. “Only the army helicopters can access Badrinath in these conditions, since most roads have been washed away,” Bahuguna said. “The Badrinath valley is also quite narrow, so access is very limited. We are waiting for weather conditions to slightly improve before more reinforcements can be sent in.” Reports have also just come in that Uttarakhand will now allow rescue ops to be carried out by other State Governments.

(Pictures courtesy CMO, Maharashtra and www.indianexpress.com)

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Watch

Rape of the flock

Film to be screened today discusses how American soldiers are raped by fellow personnel, and how the establishment plays cover-up.
by Medha Kulkarni

invisible-war-These news items come to the fore on and off and are discussed widely for a while before being buried under other, more urgent news. It is a worrying statistic that a female soldier in Iraq and Afghanistan is more likely to be brutally raped than killed or injured by enemy fire.

A documentary, The Invisible War, will be screened by Vikalp tonight at Prithvi House, Juhu, today (see below for details). Directed by Oscar and Emmy-nominated filmmaker Kirby Dick, the film is “a searing expose of the epidemic of rape of soldiers within the US military, the institutions that perpetuate and cover up its existence, and its profound personal and social consequences.”

The Invisible War was the recipient of the 2012 US Documentary Audience Award at the prestigious Sundance Film Festival.

American defence personnel, both men and women, who have dedicated their lives to the service of their nation are being raped and sexually assaulted by their own fellow soldiers, commander and officers – the very people whose job is to protect and guide them, rather than by the enemy force.

The film centers on the stories and experiences of Military Sexual Trauma survivors with the courage to come forward, tell their stories, and let us into their lives. Kirby Dick’s strong belief and main motivation behind making this film was that it would “shed light on these heinous acts and the larger systemic issue. The film intends not only to bring much-needed attention to this disturbing issue but also to stimulate the public to demand for legislation to protect the next generation from the horrors of sexual assault and the lifelong trauma that follows.”

The film screening will be followed by a talk by Sana Contractor (Research Officer at Centre for Enquiry into Health and Allied Themes (CEHAT). CEHAT, an NGO, is involved in research, training, service and advocacy on the issue of rape and allied themes. Joining her will be Robin Chaurasiya (of Kranti, an NGO that empowers girls from Mumbai’s red-light areas to become agents of social change.)

Get more details on the film here. The film will be screened today, June 24, at 7 pm at Prithvi House, opposite Prithvi Theatre, Janki Kutir, Juhu Church Road, Juhu, Mumbai. Entry is free but on a first-come-first-seated basis.

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