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Film

Follow me, Like me, please…

M writes on how films use Social Media to create a (mostly false) hype about how good their product is.

We are socially connected with our friends, colleagues, acquaintance and many strangers. These strangers could be anyone: a stalker, an innocent bystander, a brand prowling on your activities and at times, it could be Bollywood. Social Media has been actively used to promote films and ‘engage’ audiences more than ever. This fad started almost two years ago, when filmmakers decided to jump on the Stay Connected bandwagon that picked up momentum almost overnight in our country.

This created opportunities for small mom-and-pop shops to mushroom under the title of Social Media Experts and make quick bucks. Many of them managed to swindle the brands first, and then the filmmakers.  Here’s how this works:  once the agency is hired, the objective is defined – ‘X’ number of fans on Social Media  Portals must be achieved. Then the agency, which works with a vendor, goes all out to ensure that the fan base amplifies daily. The release date of the film arrives and the agency gets paid if they keep its promise.

But how does the agency keep its promise? The vendor hires people to create fake profiles and accounts to ‘Like’ or ‘Follow’ the film page. Of course, there are also some real people who interact with these accounts, but fake profiles are required to fulfil the commitment. This method of ‘engaging’ with the audience is widely used across the fraternity, and constantly enhanced.

Agency services are not limited to merely increasing the fan base. Some agencies, at an additional cost, provide the option of ‘deleting’ negative interactions from Social Media and Video Streaming Sites. When the film fails to please a user, which happens a lot these days, he or she is most likely to leave a negative comment on the film’s page. Now, in a democracy, with Freedom of Speech and all that jazz, this is quite understandable. But it is not acceptable to the filmmaker. So all negative comments are summarily executed the moment they are out.

Sometimes, I feel that filmmakers have their delicate brains wrapped in bubble wrap, to protect themselves from harsh realities. It’s actually quite simple. If you work hard on your product, you should release it with confidence and let the feedback flow. If people hate it, take the hate and make a better film next time. The more you try to protect your film, the more irate your audience becomes.

One particular film star, an A-lister who hasn’t tasted success in a while, was completely anal about the reviews of his film. His film was released during Diwali and the marketing teams, after delegating work to the Social Media Agency with strict instructions to remove every negative comment the moment it was published, were on a long break.  The film was touted as a big ticket release owing especially to its special effects.

Bas, the film released and the floodgates opened. The flow of negative reviews was something beyond anybody’s control. The film star was pissed off and a special meeting was called, despite everyone’s holiday. After an hour of futile brainstorming on how to control the damage, a very creative idea was touted: “Team, use your BBM/WhatsApp and personal Social Media accounts to promote the film.” Of course, 20 positive remarks were easily outnumbered by the thousands of highly negative ones, and the final verdict was a ton of unhappiness all around.

The latest innovation in seeding positivity amongst filmgoers takes deviousness to the next level. Agencies ‘gratify’ users who already have a large following to promote a film. These users then regularly talk about the film and how entertaining it is. The followers give credit to their reviews and fall prey to the hype. So the next time you see a first-rate review of a crappy film in your newsfeed, don’t be fooled. It’s time you review who you follow.

Sharp as a tack and sitting on more hot scoops than she knows what to do with, M is a media professional with an eye on entertainment.

(Picture courtesy blog.iwearyourshirt.com)

Categories
Watch

Some Friday comedy

M digs out some unintentionally funny videos that are guaranteed to make you laugh harder than today’s big ticket release.

Sometimes one needs a few chuckles to be relieved from the monotony of one’s daily chores. And most of the time we expect this from the most traditional source of entertainment – films. But, in vain, as recent films’ level of ‘humour’ has left us nonplussed.

The degrading quality of humour in our movies these days has ceased to astonish me any more. The  latest addition to the lack of comedy is Matru Ki Bijlee Ka Mandola for lines like, ‘Raja dil saand ho na, toh har ladki bhains dikhaye deti hai, meri jaan.’ HAHAHAHAHA. Not.

The essence of comedy as an art is all but lost. And so our urge to laugh is dying.

But worry not, there is some hope left in the world of films to evoke a gurgle or two. I’ve found a few such examples for your viewing pleasure – ironically, these scenes were not intended to be funny. The point is, watch these videos and don’t feel too bad if you haven’t got a ticket, yet, to watch Matru Ki Bijlee Ka Mandola and her pink buffalo.

Comedy #1) This guy is probably under the influence of a very powerful drug, which could explain the killer dance steps. Do watch the whole song, you don’t want to miss these moves.

 

Comedy #2) You’ve never seen anything like this before. Viewers’ discretion is advised. Scenes are gory and hilarious.


Comedy #3) For the days you’re missing a good Superman flick.

 

Comedy #4) The Indian Matrix, starring Vijayakanth from down under…

 

Comedy #5) Vijayakanth does it again. This time with Windows Media Player. I’m going to sue Windows for prejudice – why doesn’t my version do the same?

 

M is a media professional with an eye on entertainment.

(Picture courtesy filmaffinity.com)

Categories
Event

Slum dwellers’ struggle reaches Day 8

Ghar Bachao Ghar Banao struggle continues, Anna Hazare support brings media to Azad Maidan in large numbers for first time.
by The Editors | editor@themetrognome.in

The Medha Patkar-led agitation of Mumbai’s slum dwellers and those affected by scams in the Slum Rehabilitaion Authority continued yesterday, with a major shot in the arm: activist Anna Hazare landed at Azad Maidan to pledge his support to the protest and the relay fasts being undertaken therein.

With Anna’s presence at Azad Maidan at 2 pm, media personnel descended at the venue in large numbers, probably for the first time since the agitation began.

As per a press note issued by the National Alliance of People’s Movements (NAPM), “The continuing struggle of Mumbai’s slum dwellers entered a new phase today…Shri Anna Hazare visited Azad Maidan and expressed his support to the struggle for right to shelter. In a democratic republic with the Constitution written in the name of the people, no Government has any right to evict people in a brutal manner and make them homeless, he said, calling a halt to the atrocities.”

Earlier, Mankhurd MLA and Samajwadi Party honcho Abu Azmi visited Azad Maidan to express solidarity with the protesters; he was initially heckled and questioned about his absence from the start of the Andolan. Eventually, he agreed to support the protest and join the delegation that meets the Chief Minister at Mantralaya today.

“The GBGB Andolan received the minutes with decision by the CM and the Mantralaya, yesterday night. We, from Azad Maidan, sent a reply demanding certain clarifications and suggestions,” Patkar said. The Andolankars have, however, forwarded a set of demands, some of which are: the Government must provide a written assurance of no further evictions till enquiry reports into the first group of SRA projects are out, a GBGB representative should be part of the enquiry process, and that slums must be declared within a month and provided with all basic amenities, among others.

(Picture courtesy pardaphash.com. Image is a file pic) 

 

Categories
Event

“Marital rape is tantamount to sexual slavery”

Shibani Bathija, award-winning film writer, will give her take on marital rape through controversial play ‘The Vagina Monologues’, on Sunday.

Come Sunday, January 06, 2013, a special show of The Vagina Monologues will be held at the Comedy Store in Mumbai. In attendance will be Eve Ensler, Tony Award winning playwright, performer, and activist, who is the author of The Vagina Monologues. Eve will be in the city for the launch of ‘One Billion Rising’, a global movement to demand an end to violence.

Taking part in the readings will be screenwriter Shibani Bathija, whose last film was My Name Is Khan. Shibani spoke to Salil Jayakar on her participation in the special show, what she hopes it’ll achieve and whether it’s time for the film industry to do some introspection.

Excerpts from the interview:

Shibani, you’re reading a piece you have written on one of the ongoing debate areas on rape. Could you tell us about it? 

I have taken on the issue of marital rape to draw attention to the fact that women are not protected from it under existing Indian law. So, potentially a woman can be raped over a lifetime and have no recourse. It is tantamount to sexual slavery.

Why marital rape? Do you know of any personal instances? 

By and large women don’t talk about rape, and often in the case of marital rape they are given to understand that it is ‘duty’ and not rape at all, so no, I don’t personally know of instances but these are some stats I found. In the present day, studies indicate that between 10 and 14 per cent of married women are raped by their husbands: the incidents of marital rape soars to 1/3rd to ½ among clinical samples of battered women. Sexual assault by one’s spouse accounts for approximately 25 per cent of rapes committed.

This is a benefit show. Whom will the proceeds go to?

The beneficiary of all our fundraising around Eve’s visit and launch of One Billion Rising is largely SNEHA (www.snehamumbai.org) which works in Dharavi and across five other centres in Mumbai.

Do you think that a show like The Vagina Monologues can really highlight this sensitive issue? 

Yes, I think it can, as the first step is awareness and through fiction and even humour, a bright light can be shone on issues that are often avoided or then misunderstood by more people than we imagine.

A section of media and society has been clamouring for a ban on item songs in films. Your take? 

I think the issue is first violence, then sexualised violence. The thing that needs to be cut out is a portrayal of violence without reason or consequence. When we get inured to violence, then all kinds become acceptable. Rape is about violence. As far as item numbers are concerned, getting rid of ‘sexy’ dancing is putting the onus on women again, i.e., if you show and or enjoy the movement of your body you are asking for rape. Have you seen traditional belly dancing? The ultimate item number and it is / was often part of spiritual rituals.

As a screenwriter, do you think Bollywood also portrays women in a bad light? Does the industry as a whole need to do some introspection?

Well yes, the moment women are incidental to a plot they are indicated as incidental to life in general, and then who bothers about how someone incidental is treated? The moment women are front and centre and forces to be reckoned with, everything will fall into place.

What do you hope to achieve through this reading? 

I hope to highlight this most common and most ignored form of rape and in the best case scenario raise some voices for an amendment to the rape laws to include marital rape. Marriage is a social contract based on trust, respect and partnership. When it becomes about coercion then it is a breach of contract and the law should acknowledge that.

The special show of The Vagina Monologues will be held at the Comedy Store, Palladium, High Street Phoenix, on Sunday, January 6 at 6 pm. Other speakers include Chitrangda Singh, Suchitra Pillai and Manasi Scott.

(Picture courtesy firstpost.in)

Categories
Film

Bollywood returns

This year, a rash of sequels to popular Hindi franchises and remakes of classics are set to hit the screen. Rejoice! (or not)
by M | M@themetrognome.in

This is going to be another year full of Entertainment, Entertainment, Entertainment and Repeat. Buckle up, the Bollywood Express is set to take you on a joyride of sequels this year. Here is a list of sequels one should anticipate (or avoid):

Race 2: ‘Lat lag gayi’ director ko bakwas bananeki. The songs of Race 2 are enough to make me switch off the TV for good. One would require high levels of sedation to sit through this one, and in particular, watch Saif Ali Khan dance with a Katrina Kaif lookalike…oh wait, that’s Jacqueline Fernandez.

Murder 3: I am still confused between Murder and Raaz. I’ll tell you why, with a pop quiz: Which one starred Sunny Leone? See, even you had to think! Anyway, the new girl in the latest installment of this franchise is Sara Loren. Rumour has it that she is a Pakistani actress previously known as Mona Lizza.

Saheb Biwi Aur Gangster Returns: My first reaction: What for? My second reaction: Seriously, what for? This one doesn’t star Mahie Gill, from the looks of things. It’s still got Jimmy Shergill and Randeep Hooda, though.

Yamla Pagla Deewana 2: Okay, so the first one did well at the box office. Wonder what the father-son trio has got up their sleeves this time. Watch this one solely for Dharam paaji.

Once Upon a Time Again: One point deducted for the lame title, one point bonus for the fresh casting. This one’s got Akshay Kumar and Imran Khan.

Ragini MMS 2: All the Sunny Leone fans –yes, all 10 of you – rejoice!

Krrish 3: First there was Koi Mil Gaya, then came Krrish and now Krrish 3. Where is Krrish 2? Maybe he was abducted by aliens?

Dhoom 3: Back in Action: After watching Talaash, I would avoid betting on this one. Aamir Khan as the villian? Not a very believable idea. And Uday Chopra is in this one too, which somehow makes it worse. And don’t even get me started on Bachchan Jr. Why didn’t the world just end in 2012?

Singham 2: This one retains the hit pair of Ajay Devgn and director Rohit Shetty. Expect a masala comedy with Marathi catch-phrases.

Ghayal Returns: It could be difficult to top the original effort, but Sunny Deol will surely pack a powerhouse performance.

Dedh Ishqiya: Madhuri is back! A sequel to Ishqiya, the filmmakers are unable to find a replacement for Kangna Ranaut, who was part of the cast for this film but who later backed out because of “date issues.” I wonder which other actress would brave up to sharing screen space with Ms Dixit.

Raajneeti 2: There’s no dearth of material for this one. The cast is yet to be decided, but I have high expectations from Prakash Jha.

Aashiqui 2: Mohit Suri, of Kalyug fame, is one of the youngest directors on the block. His version of the cult film will be interesting to watch. This one stars Shakti Kapoor’s daughter Shraddha Kapoor and Aditya Roy Kapoor (of Guzaarish and Action Replay); both are surprisingly pleasant on screen.

Apart from sequels, there are remakes too. Classics like Chashme Buddoor, Himmatwala and Zanjeer will be recreated with the same or adapted storylines. Eid and Diwali releases this year are locked-in as well – with Salman’s Sher Khan and Shah Rukh’s Chennai Express respectively.

Here’s a little trivia on how production houses lock the dates. The head honchos along with the marketing teams sit down with Kalnirnay calendars and mark the auspicious dates. The festive days like Ramazan, Eid, Diwali and Christmas are locked almost two years in advance. The rest of the year is filtered for Ekadashis and Amavasyas. The team then slots the film slate in order of priority. Higher budgets, bigger stars get ultra-auspicious release dates.  The auspicious days are said to bring in more box office moolah, especially from up North. And thus, deciding a release date is no rocket science.

The year looks crowded for Bollywood, I hope it’s auspicious too. If not, we will always have 2014 and a sequel to Krrish 3 called Krrish 5. Maybe the Roshans are superstitious about even numbers. Hmmm.

Sharp as a tack and sitting on more hot scoops than she knows what to do with, M is a media professional with an eye on entertainment.

(Pictures courtesy santabanta.com and koimoi.com)

Categories
Event

A workshop for Muslim women

The Jamat-e-Islami Hind’s Ladies Wing organised a pre-marriage workshop for Muslim women yesterday. A pitch report of the timely event.

“The rising number of rapes and divorces (talaqs), rampant cases of dowry, unhappy marriages…all are due to lack of respect for women in society, and the lack of aims and objectives of marriages,” said Salma Baig yesterday, in a workshop aimed at pre-marriage councelling. The workshop was held for girls and women yesterday at Scholar High School, Jogeshwari, by the Ladies Wing of Jamat-e-Islami Hind.

The uniquely-designed programme was attended by more than 900 young girls and women.

“The purpose of this programme was to educate girls and women about the importance of institution of family and marriages. The present world is realising the importance of human values, and specifically values towards women. The current turmoil on different rape cases is one of its examples,” said Salma.

While enlightening audience on the importance of love, Tanveer Khanam, a participant said, “Love is within everyone as it makes a person respect and take care of others.” Another woman, Jabeen Choudhary said, “Women are not just a item for play; the world shows her as an object, which is the reason why we see deteriorated condition of women everywhere.” She added, “The existence of a woman is not to be an object of display for lusty eyes, but in living life with pride and dignity, in the Islamic way.”

This one-day programme was much appreciated as many expressed the need for more such events to boost the morale and dignity of women in society. “It’s a enlightening programme; we got to know about the importance of women in society and how to live happier lives,” said Aiman, a student, who participated in this workshop.

The programme was coordinatetd by Salma Baig, In-charge, Ladies Wing of Jamat-e-Islami Hind.

 

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