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Attend: ‘Museum of Chance’, a photo-book release

Singh’s photographic sequence of her own work ‘Go Away Closer’ is titled ‘Chance’ and opens for public viewing in Mumbai.
by The Editors | editor@themetrognome.in

Dayanita Singh’s Museum of Chance (2014) is a book about how life unfolds, and asks to be recorded and edited, along and off the axis of time. The inscrutably woven photographic sequence of Singh’s Go Away Closer has now grown into a labyrinth of connections and correspondences. The thread through this novel-like web of happenings is that elusive entity called Chance. It is Chance that seems to disperse as well as gather fragments or clusters of experience, creating a form of simultaneity that is realized in the idea and matter of the book, with its interlaced or parallel timelines and patterns of recurrence and return. “While I was in London I dreamed that I was on a boat on the Thames,” Singh writes in the book’s epigraph, “which took me to the Anandmayee Ma ashram in Varanasi. I climbed the stairs and found I had entered the hotel in Devigarh. At a certain time I tried to leave the fort but could not find a door. Finally I climbed out through a window and I was in the moss garden in Kyoto.”

The 88 quadratone images in the book also appear on the front and back covers in random pairs, transforming each copy of the book into a distinct piece of work by the author. ‘’Exhibitions come and go,” Singh says in an interview, “but what remains is the book’’. Each copy of Museum of Chance, therefore, is mass-produced as well as unique because of the random combination of images on its front and back covers and the different colored cloth covers. Moving away from showing editioned prints framed on the wall, Singh makes the book itself the art object, to be valued, looked at and read as such, rather than being regarded as a gathering of photographic reproductions. Infact the Book in its special structure is the work, as were  her silver gelatin prints, and the images inside could be seen as the catalogue of this exhibition of the 88 book covers.

One of the finest photographic artists in the world, Dayanita Singh has always seen herself as a bookmaker working with photography. She has published several mass produced artist books in the course of her career like Go Away Closer (2007), Sent a Letter (2008), Blue Book (2009), Dream Villa (2010), Dayanita Singh (2010), House of Love (2011) and File Room (2013), among others. She has also presented her work in several solo and group exhibitions like Go Away Closer, a solo exhibition at Museum Für Moderne Kunst, Frankfurt (2014); Dayanita Singh, a solo exhibition at the Art Institute, Chicago (2014); A group exhibition in the German Pavilion at the 2013 Venice Biennale; Indian Highway, a touring group exhibition at the Serpentine Gallery, London; Astrup Museum, Oslo (2009); Privacy, a solo exhibition at Hamburger Bahnhof Museum for Contemporary Art, Berlin (2003).

During the opening today, November 6, 2014, Singh will make available the very first of her limited edition of the Book object. She will also individualise them during the opening. The limited edition of the book object, in an edition of 352, costs Rs 9,000 and is only available through her.

It is the same object as you will see on the wall (the book, Museum of Chance, in a specially-made wooden structure to install it on the wall). So in a sense, you can carry part of the exhibition home.

Head to Galerie Max Mueller, Goethe-Institut / Max Mueller Bhavan Mumbai, Kalaghoda, Mumbai on Thursday, November 6, at 6.30 pm. The exhibition is on till December 10, 2014.

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Bombay, bas

What’s wrong with liking ‘Happy New Year’?

What makes us think the ‘masses’ have no brains, and hence deserve ‘certain’ films? Since when did we become such snobs?
Pooja Birwatkarby Dr Pooja Birwatkar

The other day I went to watch a movie, and after a long time I thoroughly enjoyed the new SRK film Happy New Year. Later, as I read the reviews and comments about the film from friends on Facebook and Whatsapp, I received a slight jolt. The reviews trashed the film for being mindless, a total waste of time and okay for people who normally left their brains at home while watching movies. Others said the movie was for the ‘front benchers’, a ‘mass movie’ full of seeti bajao scenes.

In short, Happy New Year is a perfect concoction of all the masalas needed to trigger Indian sentiments – friendship, parental love, patriotism, revenge, hatred, and everything else you can think of.

These reviews and comments prompted me to think: Am I a ‘mass-class’ person? Then I wondered: Wait a minute, what’s so wrong about being the ‘masses’?

I think this Mass v/s Class debate started with people coming to live in the metros, abandoning for ever their lives in villages and small towns for jobs, better lives and more stability. Of course, only those who migrated know the price they have paid for it – nobody can deny that we are lead, or should I say endure, extremely chaotic lives in the cities. Our days are so cluttered and time-bound that we seek escape routes to transform ourselves from the machines we have become to the easygoing humans we would like to be. The intellectual work we do in our offices never offers our poor brains some respite from constant stress and thought, and we Mumbaikars have actually forgotten what it is to ‘Chill maar’.

As adults in a fast-paced, crazy times, we are not alone in losing the ability to focus on the big picture. But we are unable to look for ways to break out of our own shackles. And while most of us may Mass class moviesnot have the chance to walk out of our jobs at this very moment, at least we can relax for one evening and watch a ‘brainless’ movie without having to explain ourselves?

The message I got from Happy New Year was that there are losers who get at least one opportunity to become winners. Isn’t that what we all desire? For one, the film gave me intense sadistic pleasure to know that there are other losers in the world, too. Also, the three hours that I sat through the movie filled me with the hope that losers can achieve what they want, at least once in their lives.

Sure, these movies take us off to a fairytale land where everything’s possible – that, in itself, to detrimental to sane thinking in the real world. But I am sure a lot of us find these movies cathartic and therapeutic to a large extent. Once you step out of the theatre, the real world with all its problems comes back to pounce, but that three hours’ worth of alternate reality was a joy to experience, wasn’t it?

So everyone out there, like me, who once used to be a patron of classy, cerebral films – don’t feel guilty about enjoying masala movies, too. It is totally okay to like mushy romance, gravity-defying action stunts, item songs that make you whistle, intense scenes that make you cry, patriotic scenes that make your heart race. Is your real life filled with so many emotions?

The next time you go to watch a masala movie, go with an open mind. Laugh with everyone in the theatre because everyone, mass or class, is allowed to laugh at the same things. And like the movie said, ‘Keep it simple’. Trust me, life becomes more tolerable once you step out of the theatre.

Dr Pooja Birwatkar is currently pursuing post doctoral research and working in the area of science education. She has been associated with the field of education in the past as a teacher educator, and her area of interest is research in education. 

(Pictures courtesy newsviewslive.com, in.reuters.com. Images used for representational purpose only.)

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